ACME Group established in 1985 , is one of the largest enterprises known worldwide for its specialization in the field of lighting such as stage lighting, entertainment lighting, architectural and commercial lighting, audio, amplifiers and control system of professional manufacturers.
It is headquartered in Gaoming District, Foshan City, Guangdong Province, "National Torch Plan Foshan new material industry base (Cangjiang Industrial Park East Park)” that covers an area of 100,000 square meters facility in Foshan City, Guangdong,China. The company has a standardized modern factory with high specification office building, and is counted as Asia's largest factory for producing entertainment lighting and stage lighting.
ACME Group has always put the development of scientific and technological innovation as the prime concern in accordance to the customers design and development of safe, innovative, advanced energy-saving lighting and sound, with excellent products and high-quality services to meet customer demands. The Elite Group has a senior R & D abroad. Hundreds of people working in technical development team has gathered together and mastered a full entertainment, professional stage lighting and ancillary equipment and spare parts production process design and development, prototyping, group line production, project management, experimental specifications and quality standards. We strive for excellence in whatever we do as each and every person's contribution is important to our success. Meanwhile, we reach and develop the LED driving power supply which to meet lighting products. Our team is very innovative and strives to create a leader of successful entertainment lighting, professional stage lighting and lead in domestic and international lighting trends.
ACME's highly modernized manufacturing plant is made up of a wide range of advanced automatic and semi-automatic solutions, including: SMT placement equipment, CNC laser machine SALVAGNINi LIXE, TAIWAN Tailife CNC punch press, England TayLor welding machine, etc. ACME is able to provide quality products for all lighting requirements thanks to this full range of professional machinery. To ensure quality products, the entire manufacturing process undergoes continuous quality and efficiency controls. ACME has ISO9001:2008 certifications. Further more, all ACME products are CE compliant.
Over the past three decades of establishment, ACME Group has perfectly accommodated itself globally. The products are now exported to over 70 countries .The Group has always been committed to provide the most innovative and reliable products at very competitive prices. Apart from providing best of services for business developments the company gives priority to quality and customer satisfaction being their main motto to gain worldwide recognition and remain ahead of competition. Our goal is to become the world's most trusted enterprise in entertainment sector.
Aguilar Amplification is dedicated to using superior engineering processes to make great gear for bass players. By designing and manufacturing heads, cabinets, preamps, pickups and effects pedals, we can contribute to many aspects of the sound of the bass. At Aguilar, we approach every product that we manufacture with real world, musical understanding. Because we are a team of bass players and engineers, we start by visualizing gear from the musician’s perspective and then proceed with inspired engineering. We have a credo of “constant improvement” that helps us move forward daily and create products that will contribute to your music. Aguilar amplifiers, cabinets and pedals can be found on concert stages and in recording studios around the world. Our line of pickups and onboard preamps are used in many of the world’s best basses. We’re proud to play a part in the sound of so many great bass players and we look forward to being part of your sound!
Best Regards from New York City,
Akai Professional entered the electronic music industry in 1984 with one purpose - to give artists the tools they need to express and explore new musical possibilities.
Since then, Akai Professional products have become a fixture of modern music both in studio and on stage. The refinement of our digital sampling technology has become the building block of today's most popular music. The uniqueness of our MPC sequencing samplers has forever changed the way modern music is created by enabling digital samples to become the basis for composition. Akai Pro stands at the forefront of digital technology and remains one of the most influential manufacturers of musical equipment of the last 20 years.
The history of AKG
Audio quality is seventy : seven decades AKG. In the world of sound and professional audio, AKG microphones and headphones have for decades been synonymous with products of excellence. In 2017, the company will proudly celebrate its seventieth anniversary and begin the next phase of its international expansion. Recording studios, radio and television stations, operas and prestigious theaters all over the world use AKG equipment. Our microphones and helmets are often present in the photos of the great stars of international music for many years. AKG is today one of the world leaders in the manufacture of high-quality microphones, headsets and wireless equipment. Here is the brief summary of the genesis of one of the most prestigious brands in the world of professional audio.
Founded in 1947 in Vienna, Austria, by Rudolf Goerike and Ernst Pless, AKG quickly became one of the major players in the audio world. To say that AKG is synonymous with "good sound" is an euphemism; "Excellent" is more appropriate, because it represents passion for the quality of musical reproduction and natural propensity to innovation. In the early months of the company, the first AKG microphones were already acclaimed by radio stations, jazz clubs and concert halls. These equipments (the AKG DYN series) were at the time hand-made by a staff of five.
In 1949, the first AKG helmets appeared on the market. Then, in the early 1950s, AKG created the sensation with new products totally unreleased: the D 12, the first high-quality cardioid condenser microphone; The C 12, the first multi-purpose remote-controlled microphone; And the D 36 which will be a milestone in the history of acoustics. The BBC will be one of the first buyers of the famous C 12 for its London studios.
AKG extends worldwide
With its growing success, AKG also extends geographically with the creation of a subsidiary in Germany in 1955. In the late 1950s, AKG's distribution network was extended to other countries in Europe and beyond . In the sixties, AKG will begin to export to the countries of the former Eastern Bloc and Latin America. Concerned about the technological quality of its products, AKG will remain focused on what it can do: high-end audio sensors. The result will be products of excellence of all categories. In the following years, AKG will market the first two-way cardioid microphones (D 202, D 224) and develop the modular CMS condenser system.
1970s: AKG innovates all the way
The 1970s began as the 1960s ended: by continuous innovations. AKG inaugurated the decade with the presentation of the BX 20, the first mobile studio reverb unit. In 1972, British Post issued a special stamp commemorating the 50th anniversary of the BBC showing historical microphones and models from the AKG catalog. One year later, AKG will be awarded its thousandth patent, at the same time as the K 140 integrated helmets, which will be followed by other innovations such as the AKG TS (Transversal Suspension) system, the first two-way World, and line-up of voice-optimized microphones that will cement the international reputation of AKG products. In the late 1970s, the first contracts were signed with Frank Sinatra, Roger Whittaker, Falco and other artists. Thanks to its technological mastery, AKG plays a pioneering role in the field of digital then in full emergence. The first equipment was successfully used for the Moscow Olympics in 1980. The company will continue on the path of innovation with products such as BX 25 ED digital / analog reverb and wide-diaphragm stereo condenser microphones and solid-state circuits.
New image on the occasion of the sixtieth anniversary
AKG will be celebrating its seventieth anniversary in 2017, but rather than look back on its journey, the company prefers to look at its future with confidence on the basis of growth. Alongside an expansion to new international markets, AKG's strategic positioning in existing and emerging markets will be at the center of its efforts. To achieve these objectives, the brand has recently renewed its logo and revitalized its image. Many AKG products, innovative and unpublished, will be marketed in 2017. In doing so, and taking in parallel with many other initiatives, AKG aims to keep the world-wide reputation of its headsets and microphones in the world of professional audio.
INNOVATION AS A DRIVING FORCE,
ENJOY THE PLEASURE OF MAKING MUSIC.
Alctron specialized in recording microphone and audio equipment products aswell as all kinds of related accessories. Focus on audio production for ourbusiness, We have about 10-year production experience in audio line. We alsohave special sales team in OEM operation, so we are your best choice partnersif you have any OEM business.
We have around 200 staff , total investment on the equipment is about $1.3million, and the plant we bought is about 78,000 square feet. Our businesspurpose is “ Honest and Trustworthy, Fast Delivery, Competitive prices, Qualityproducts”, if you emphasize these points, Alctron will be your good choice.
Leading & model machine can ensure that we are a real manufacturingfactory, not assemble factory, most of main parts are made in-house byourselves, in our own facility. Every single mic has a hand crafted capsulewhich we build at our own facility. This is very important to control theproducts quality.
We own good workshop and working environment. Moreover, we have a team ofexcellent staff and technicians who have rich experience in this line and havegreat capability of researching and manufacturing.We have the completeassessment mechanisms and incentive measures to ensure the productionefficiency and delivery time, as well as high-quality products.
We adopt standard ERP andPLM software to manage the company and RD, which cover human resource,supplychain, production, quality control and products development, so, anyorder from our customers would be inputed into our system, and every detailswill be strictly controlled in the all proceeding
It takes more than just designing, manufacturing and selling digital, analog, semiconductor and transducer technologies to fulfill the dreams of musicians, producers and audio engineers. It takes unforgettable musical experiences. The experiences can vary. They can be as simple as a gig at a local club recorded on an Alesis iMultiMix 8 USB, as familiar as a practice session on an Alesis DM5 Pro Kit in the basement or as memorable as that Rock Tour recorded on a tried and true Alesis ADAT.
If there’s one secret to our enduring brand and the passion it ignites in musicians, producers and engineers, it’s that we deliver these experiences, rather than merely a collection of products and services. We’re dedicated to inspiring musical creativity and developing musical experiences for all of our stakeholders – customers, employees, partners, suppliers, and the musical community at large. That’s what sets Alesis apart from the crowd and why our brand continues to be on the leading edge of professional audio and music technology.
While our products range from keyboards, synthesizers, hard disk recorders, iPod recording and playback devices, electronic drums, mixers, signal processors, effects units, amplifiers and speakers one thing remains consistent; our passion for inspiring musical creativity and innovation through new technology.
The Alesis Story
Established in 1980, Alesis was founded on innovative semi-conductor chip technology and award winning industrial designs that allowed entry level musicians and recording artists to afford professional studio recording products that were never affordable before. With high “bang for the buck” value, Alesis introduced the world’s first professional 16 bit effects processor under $1000, the Midiverb. Following on the heels of the Midiverb, Alesis progressed into studio quality drum machines (HR-16 and SR-16) as well as synthesizers, studio monitors and mixing consoles.
1991 proved to be the ground-breaking year for Alesis, with the introduction of the ADAT Multi-Channel Digital Tape Recorder. Before ADAT, a studio would have to invest $50,000 in order to afford a multi-track digital recorder. With ADAT, the price tag came down to $4,000, essentially allowing every home and project studio to afford digital recording. This new technology allowed any artist or musician to record studio quality recordings.
In 2001, Alesis was acquired by Jack O’Donnell, and ever-since the company has delivered more solutions and value to musicians than ever before. Under his leadership the company ventured into producing the worlds most affordable analog mixers with built-in Digital Signal Processing (award-winning MultiMix Series Mixers), an advanced yet affordable full line of electronic percussion products (USB Pro Kit, DM5 Pro Kit, SURGE Cymbals, Performance Pad), as well as highly innovative and adaptable computer audio interfaces and controllers (MasterControl). Alesis is committed to delivering the most innovative and inspiring professional audio gear for musicians, producers and engineers of all levels.
Alto Professional was founded in 2000 by a passionate team of audio engineers striving to produce products that delivered superior performance at affordable price points for use in live performance settings . Through the use of modern manufacturing techniques, cutting edge DSP technology, and sophisticated design, Alto has succeeded in producing a range of products that provide both exceptional performance and exceptional value for the performing musician and live sound engineer.
That’s why we think of ourselves not as a Sound Reinforcement company, but as a Live Performance Reinforcement company. We not only produce tools for the live sound engineer – speakers, amplifiers and mixers – but also tools for the performing musician, including all-in-one PA systems for solo, duo and small group performance settings.
Our mission is simple: create products for use in live performance that literally blow away the competition, in terms of accuracy, power, durability, portability, and price. Every product we design, every component we select and every manufacturing process we use is in service of that simple mission.
At Alto, we’re dedicated to delivering products that will serve our customers for years to come, stand up to the rigors of the road and provide exceptional performance night in and night out. We’re as passionate about making the tools to help you be heard as you are about the music you create.
1969 was a year giants rocked the earth, and they wanted big amps. By that point in history, rock music was the baddest man in the whole damn town. Stadiums and outdoor festivals was where the action was—Madison Square Garden for chrissakes. Fifty watts just wasn't enough to move that chick in the 61st row in her hand-embroidered bellbottoms. It wasn't as if nobody was filling the void—witness the stacks of Marshalls, mountains of Hiwatts, and truckloads of Dual Showmans doing more to promote tinnitus in a single generation since WWII.
Only In America
Ampeg needed to compete. The team of amp designer Bill Hughes and Roger Cox—with input from Bob Rufkahr and Dan Armstrong—set about to create what Cox referred to as "the biggest, nastiest bass amplifier the world had ever seen." Using the same sort of madness that drove Dr. Frankenstein, the team came up with a 300-watt all-tube phantasmagoria they called the Super Vacuum Tube—or SVT, to save on vowels. To fully grasp the monstrosity of their creation, the SVT's 300-watt output stomped the deafening 200-watt Marshall Major by a full 100-watts!
Unveiled at the 1969 NAMM show in Chicago, the SVT head alone weighed 95 lbs and contained fourteen tubes, six of which were massive 6146 power tubes. To heat all those tubes, massive transformers with magnetic fields powerful enough to cause genetic mutations were necessary. And what kind of speakers were able to handle all that power? Nothing less than two cabinets sporting eight ten-inch speakers and weighing 105 lbs. each.
After surveying his creation, Cox was actually concerned about potential liability—when your engineers warn of the possible harm their designs could cause, you'd better listen. Ampeg's management did and devised a warning label which read:
"THIS AMP IS CAPABLE OF DELIVERING SOUND PRESSURE LEVELS THAT MAY CAUSE PERMANENT HEARING DAMAGE."
Her Satanic Majesty's Shakedown Cruise
Some say we make our own luck, but they're usually the people with all the luck. Luck came to Ampeg, not from their own doing, but by the lack of knowledge concerning international voltages on the part of the Rolling Stones. It seems the Stones shipped their Fender amps over to the States to rehearse for their soon-to-be-legendary '69 world tour, plugged them in, switched them on, and the resulting smoke and burn first made the roadies think Keith had nodded out again, until they remembered that the amps were set up for UK voltage.
The Stones may have been "The Greatest Rock n' Roll Band In The World," but like all bands, they liked to get free gear. In a panic, now deceased Stones keyboard player and road manager Ian Stewart contacted Rich Mandella, Ampeg's Hollywood liaison, desperately begging for amps for the tour that was now only weeks away.
Mandella, knowing a good thing when he saw it, loaded up all the SVT prototypes and some old 4x12 cabs into his pickup and headed down to the Warner Brothers lot where the Stones were rehearsing in an unused soundstage. Keith, Mick Taylor and Bill Wyman plugged in to the SVT prototypes and proceeded to turn them up to a level that reduced the un-hip to flaming piles of goo. The Stones may have had sympathy for the devil, but they gave no such kindness to the SVT prototypes. Mandella began to notice that the prototypes were getting close to meltdown under Keith's relentless bashing. According to Mandella, "Everything he was doing in rehearsal just kept getting louder and bigger and crazier, with two or three heads per person. I'd watch the amps, and when I could see one was about to explode, I'd just switch heads."
Since those prototype SVT heads were the only ones in existence—production was still a ways away—it was decided in a very smokey room that Mandella would accompany the Stones on the tour as their personal Ampeg technician. While the Stones rocked, and the audience grooved, and the Hell's Angels kicked the living crap out of everybody within a pool cue's length, Rich Mandella was behind the backline making sure everything was sorted. If you want a sample of the mayhem, check out Gimme Shelter, the Stones' own documentary of the 1969 world tour. But if you wanna hear those early SVTs blasting for all they're worth, rush right down and pick up Get Yer Ya Ya's Out, the best live album ever made.
In The World Of 300-Watt Amps, Perspective Is Hard To Come By
Since then, the SVT has become the bass amp that all rock bassists dream of, whether they're famous or completely unknown. Ampeg has modified the SVT concept for a wider variety of sounds, but fortunately, they still make the SVT-VR, which are virtually identical to the ones the Stones used to put their Jack Daniels bottles on top of. (The SVT-Classic is also available, and is very similar to the original.)
Former Bass Player editor Scott Malandrone put the SVT in perspective this way: "The SVT has done for the sound of electric bass what the Marshall Super Lead had done for the electric guitar—it would give the instrument an identity." We couldn't say it better ourselves.
Antari prides itself on being one of the leading manufacturers of fog machines of all time, consistently producing the perfect fog since 1984. The dedication to quality control and work ethic is the foundation of ANTARI. We position ourselves as a world-class industry leader, responsive to the needs of the global marketplace, and combine its many years of experience with its active research and development program to enable the regular introduction of innovative products.
The continuous development of new products to meet customer expectations has a long tradition at Antari, as well as a focus on developing products that address important environmental concerns and energy saving criteria. Antari takes its corporate social responsibility seriously and strives to integrate innovations that add green and commercial value to every Antari product. Continuous innovation and the consideration of green concepts are strong convictions that have been respected by the entire Antari team.
Smoke machines are intended for a wide variety of uses in the entertainment and effects markets. These include theater, film, TV, DJ, club and disco and concert applications. The Antari product range is no longer limited to fog machines, although they remain the driving force. Our products have been widely applied such as residential / commercial security, pest control, industrial humidity control, horticultural uses, hospital sterilization and leak detection.
Our expertise in R & D and our modern production facilities, combined with attention to detail, guarantee total quality control. To be accepted worldwide, our machines are designed and manufactured to comply with all international safety standards such as CE, LVD, EMC and others. The in-house team of engineers and designers enables Antari to meet customer expectations and exceed them with innovative and efficient machines. This is a fundamental value of ANTARI and continues to be the main value today.
Who are we and what is our mission?
More than 20 years ago, Tom Gheysens, turned his rental company into an installed sound company and started to distribute a number of brands for the Benelux market.
Being creative with these brands, Audioprof NV soon became one of the leading installed sound companies. The fact that these brands didn’t bring the sound quality and reliability the Audioprof team was aiming for, together with Tom’s passion to deliver great sound in public places, resulted in the birth of the Apart audio brand. It was the start of a range of innovative audio products by installers, for installers: the Apart products.
Today Apart Audio NV (formerly named Audioprof NV), the Belgian manufacturer of Apart products (loudspeakers and electronics), has more than 20 years of experience in the world of fixed installed audio. Apart products are distributed via a well selected distributor network, expanding all over the world in more than 80 countries. It is our mission to offer unique and above all reliable products that meet the customer’s demands with excellent value for money solutions. We offer great audio products prior to the small and medium sized projects in following applications: foodservice & hospitality, retail, outdoor, sports & leisure, education & religion, corporate, residential.
Sounds like the right choice
We believe that providing superb audio (one of the five senses) at affordable prices is a way of improving the quality of people’s life. That’s why we are passionate to be a leading company in creating installed sound solutions. We do this by being apart and empowering our staff to be the best in innovation, marketing and operational excellence. By being close to the installer we want to become the favourite installed sound brand. Our mission is to become the installers’ favorite choice in audio. We want the Apart brand to become top of mind in the head of every installer.
As already mentioned Apart Audio NV was founded by an installer, so we understand and feel that installers are aiming for a partner excelling in creating and developing innovative installed sound solutions. We are a specialised manufacturer of audio products in which we combine reliability, easy to use/install, good service and attractive prices! We are passionate in providing excellent audio quality to the end-customer. The Apart products are especially designed for use in following fixed install market segments:
Commercial audio: background music and messages in shops, bars, restaurants, hotels, waiting areas, theatres, digital advertising...
Functional / industrial audio: sound in houses of worship, meeting rooms, classrooms, train and bus stations, sport centres, warehouses, offices, parkings...
Alu Soudure Broadcast in brief
- A position and vocation of French manufacturer
ASD thanks to its own design office, is able to help you in all your projects and realize for you the manufacturing plans and related calculation notes.
We remind you that all ASD products are subject to strict calculation notes and comply with applicable European directives (CE logo)
The products concerned by these directives are certified by official control bodies (APAVE, SOCOTEC).
Realization aluminum and steel.
ASD realizes all of these fabrications on site thanks to a fully controlled manufacturing process.
ASD assembles all its products and makes a final check (assembly, load) before packaging, and identifies all its products by a CE conformity plate showing the name of the operators, the date of manufacture the loads, the certification number and finally the serial number.
ASD packs all its products with the utmost care in packaging of the highest quality (plastic cases for aluminum structures), for elevators, cartons adapted to each product and wooden crates for larger elevators.
The trade mark “AULOS” is taken from Greek mythology meaning the Wind Instrument with double reed.
When our plastic recorders - the first - were launched into the market in 1955, the name AULOS was chosen by Mr. Masaru Hanamura from the Japanese Ministry of Education. Since this time we have been continually developing techniques to maintain and improve performance and quality.
AULOS recorders are currently used in schools not only in Japan but in more than 50 countries worldwide. In addition to recorders, high precision instruments such as a traditional flute called “Shinobue” and Flauto Traverso have been successfully manufactured from our specially made resin. They are highly valued as excellent instruments.
The slightest shape difference in manufacture reflects timbre so our precision molding has a tolerance in micron units (1/1000 millimeter). Experienced and skillful engineers are engaged in producing superb and uniform instruments in our factory in Japan. This is reflected in creating instruments of the highest quality.
We continually strive to make the best, thus contributing to a standard of excellence in music making throughout the world.
Sophisticated instruments at the best price possible
The brand Baton Rouge guitars is synonymous with unusual guitars. Their goal was from the outset to offer the best guitar and ukulele at the best possible price. Baton Rouge guitars are for young musicians who are looking for a good guitar but do not care about traditional brands. Baton Rouge has an authentic story and fits the right instrument for each player.
Everything but ordinary: the STRANGE series
Crazy! and extravagant: These are the models of the STRANGE series. If you do not want to get bored with the general public and get bored with guitars and ukuleles with a classic look, you'll find what you've always been looking for in the STRANGE series: instruments that innovate in concept and design! With bold and bold style, each model embodies its own unique touch and emphasizes the individuality of the player. Outstanding woods, as well as first-class workmanship make each STRANGE a special piece! And the sound? Pure rock'n'roll For a brilliant performance. For the STRANGE series
Simply modern: the RED series
The models in the RED series are classy and rely on charm and wit. Simple design, selected woods and excellent work make it a contemporary instrument. Modern and elegant, ROUGE serves sophisticated musicians who are looking for contemporary guitars and ukuleles with excellent sound volume that values sustainability and values innovation and quality. RED is the open base of Baton Rouge guitars.
Good value for money: The series BLACK BY BR
The BLACK BY BR line stands out clearly from the high-end STRANGE and RED lines. This is the cheap version for brave beginners who still want to try and do not want to invest in a guitar or ukulele upscale from the beginning. Young, fresh and playful, the BLACK models are a casual alternative for a real pleasure sound. A solid instrument that is visually and acoustically a very good start. For the series BLACK BY BR
Behringer Spezielle Studiotechnik GmbH (Behringer) is a German electronics company founded in 1989 and specialized in the field of audio. The company was founded by sound engineer and musical instrument maker Uli Behringer, who has been CEO since the foundation.
The brand mainly manufactures events and home studio equipment: amplifiers and loudspeakers, mixers, effect processors, digital audio interfaces, control surfaces, and more. Behringer also produces some musical instruments, including electric guitars.
In general, the positioning is focused on the general public; The products are made in China in order to obtain an interesting quality / price ratio. However, Behringer products such as the Compressor-limiter limiter Composer MDX20001 can be found in the battery of effects used by professional sound engineers in sound and recording.
We offer a range of Racks, classic or wheeled flight cases and half-depth and mobile racks tailored to the needs of service providers / installers / DJ looking for discretion, robustness and a full range especially with 1U and 3U formats more and rarer and complemented with 4 models with wheels cut for the road (from 8U to 14U, "Touring")
"All Black" finish, 9mm multi-ply construction (except 1U of 5mm), front and rear racking, quality butterfly closures, 30x30mm angles, rugged inset handles (except 1U, strap handle), small rubber feet , equipped with PRO blue wheels for the 4 "Touring" models,
delivered with cage nuts, washers and screws ...
BSS has built an international reputation for digital signal processing in response to requests from professional musicians. From direct audio systems to studio installations, BSS products are powerful and ergonomic examples of the benefits of targeted research, design excellence and scrupulous quality assurance.
For over 65 years, the name Cerwin-Vega has been synonymous with excellence in every area of the audio experience. This reputation has been established by Pro Audio professionals, Hi-Fi enthusiasts and Mobile Audio fans that recognize the high-performance value which is Cerwin-Vega. Dedicated to the pursuit of achieving ultimate realism in the reproduction of the live performance in the home, Cerwin-Vega’s customer loyalty is second to none and has reached nearly cult-like status. As a result of this acceptance, Cerwin-Vega has grown from a small group of engineers headed by the legendary Gene Czerwinski into one of the foremost loudspeaker companies.
In 1954, Gene Czerwinski, then a brilliant young aerospace engineer, founded Cerwin-Vega. Why start a loudspeaker company? First and foremost a music fan, Gene’s goal was to reproduce the live musical experience. His design philosophy was based on high-efficiency drivers, durability, and a “value for money products.”
This legacy has charged Cerwin-Vega for over four decades. Cerwin-Vega began as Vega Associates and began to grow rapidly from its conception with the introduction of large high efficiency 18” sound systems that could produce 130dB at 30 Hz. This high performance specification established Vega as a company to be reckoned with. It was in 1957 that Vega introduced the world’s first solid state amplifier, rated at 125 RMS: it was a power house by the standards of its time. The amplifier’s circuit was influenced by a 10,000-watt sonar amp Gene designed for Bendix Corp. In the 60’s as dynamic popular music enjoyed a spectacular evolution, Cerwin-Vega quickly became a supplier of loudspeakers and system designs to many major manufacturers including; Fender, Acoustic, Sunn and Vox. The motion picture “Earthquake” premiered in 1974 with a dramatic new innovation in motion picture sound known as “Sensurround”. For the first time, audio was an integrated part of the movie experience through special effects. The concept required large powerful bass cabinets, which would provide very low frequencies in order to shake the movie theater, thus simulating a real earthquake. For this purpose, the “E” bass horns and woofers were developed. These woofers were 18” versions that were folded into a horn configuration. The internal path length of the horn was 6 feet with a cutoff frequency of 33 Hz. Sensitivity of the system was an incredible 106 dB at 1 watt / 1 meter. “Sensurround” technology and in the same year Cerwin-Vega were honored an Academy Award for Special Technical Achievement.
The early seventies also started pro-relationships with bands that included: The Rolling Stones, Boom Town Rats, David Bowie, Peter Frampton, Emerson Lake and Palmer and Bernie Taupin (Elton John’s partner). In the late 70’s, Cerwin-Vega became the first manufacturer to produce its own digital recordings for the evaluation of loudspeaker design parameters. Digital technology was used in the home-line of loudspeakers known as the “D” series. Over the next decade, Cerwin –Vega continued to evolve its engineering excellence and loudspeaker designs resulting in speaker systems that have established a reputation for offering the widest dynamic-range, highest efficiency, highest output-level and best bass-response in the business. Cerwin-Vega has received numerous design and engineering awards for its products in pro, home and mobile audio. When it comes to setting industry standards, Cerwin-Vega has taken a clear leadership.
The Cerwin-Vega dynasty continues with the acquisition by “The Stanton Group of companies”. We are looking forward to another 50 years of staying on top in the audio business with products that are worthy of the Cerwin-Vega heritage.
IT ALL STARTED BACK IN 1983…
In 1983 founder Hans Nordelius created the Digital Percussion Plate 1 – the first drum pad allowing for dynamic playing using sampled sounds. The DPP1 was an instant success and soon thereafter the brand name ddrum was introduced. The innovative ddrum pads featured real heads and hoops and gained huge popularity – many people still regard them as the best digital drum triggering system around!
In 1995 Clavia released its first synthesizer, the Nord Lead. Its unique take on emulation of analog synthesis, combining a distinctive sound with an intuitive user interface made it an instant classic. Magnus Kjellander joined Clavia in -96 and brought with him a new approach to the company in terms of software design. The Nord Modular, released in 1997 was the first digital modular synthesizer, possibly the most flexible, innovative synthesizer that has ever been on the market.
In 2001 the first Nord Electro was released, introducing stunning emulations of classic vintage electro-mechanical instruments with a level of portability generally not associated with the original instruments…
The Nord Stage surfaced in 2005, combining many of Clavia’s new areas of expertise in one – acoustic and electric piano sounds, organ emulations, effects and even a synthesizer!
The Nord C1 Combo Organ saw the light in 2005, incorporating our 2nd generation tone wheel modeling, rotating speaker simulation, dual manuals and surprisingly lightweight (15kg). Nord Wave took the Nord Lead-concept to a new level in 2007 with its capability to use any audio file as an oscillator source in a virtual analog environment, combined with the compact, user friendly interface of a Nord product.
In 2008 we released the Nord Electro 3 and the exclusively licensed sounds from the Mellotron and Chamberlin. The Electro 3 became one of the most successful products we’ve ever made.
In 2010 the streamlined Nord Piano was introduced, a lightweight stage piano that featured advanced String Resonance and the unique Nord Triple Pedal with pedal noise.
We let the Nord Stage 2 out of the bag at NAMM 2011, sporting a new synth section with sample playback support, more memory, the C2 organ simulation and the Nord Piano Pedal Noise. Nord Stage 2 raised the bar for how a Stage piano should sound and behave. 2012 was an adventurous year for us, with the launch of the Nord C2D, our first organ with physical draw bars as well as the virtual analog drum synthesizer Nord Drum. On top of that we also released the Nord Electro 4 family with the acclaimed Nord C2D tone wheel simulation and introduced the Nord Piano 2 that allowed splitting and layering sounds from the Nord Sample Library.
In 2013 we celebrated our 30th anniversary as a musical instrument company by releasing the Nord Lead 4, Nord Drum 2, Nord Pad and the Nord Piano 2 HP! At NAMM 2014 we announced the Nord Lead A1 – our award-winning analog modeling synthesizer. 2015 began with the release of the Nord Electro 5 – a redefined classic and the first Nord instrument ever with a large OLED display. We also updated our flagship model in the Nord Stage 2 EX including doubled memory for Nord Piano Library and a new HP76 model.
We’ve come a long way from the little basement workshop we started out in back in 1983 – a journey fueled by curiosity, persistence, dedication and love for music !
The History of Crate Amps
Crate has been producing guitar amps for almost 40 years. The first amplifiers were built in wooden cases that were "crated," and even when the look wore off and the amps assumed a more traditional appearance, the name stayed intact. Many famous musicians and bands used Crate amps in the 1980s, bringing attention to the brand.
Prehistory of Crate Amps
The idea of creating Crate amplifiers began as a "flash of inspiration" by Gene Kornblum, who was then leading his father's business, St. Louis Music, Inc. The company was then primary known for importing and distributing stringed instruments, including violins and violas.
By the late 1970s, Kornblum was shopping in a Crate & Barrel store when he noticed that products were held in wooden crates. After considering whether beefing up a wooden crate to hold a guitar amplifier might be a good idea, he began attempting to produce guitar amps that looked like wooden crates, with chest handles similar to the ones found on military footlockers.
St. Louis Music introduced the 10-watt Crate CR1, its first guitar amplifier, in 1978. Before long, the company had sold enough amps to outgrow its manufacturing capabilities, and it had expanded its Crate line to display a full range of solid-state Crate amplifiers. Soon after, the company retired the wooden crate look and adopted the traditional amplifier look, complete with Tolex covering. This transition helped the business to stay consistent.
1980s Crate Amp users
As Crate amplifiers became a legitimate amplifier for professional musicians, there were numerous artists in the 1980s that were unpaid endorsees of the amps. The list of the endorsing Crate amps users including Gene Simmons of Kiss, Sting from The Police, Sammy Hagar from Van Halen, Billy Gibbons of ZZ Top, and Joe Walsh from James Gang and The Eagles.
Current Crate Models
As of 2010, Crate displays three lines of amplifiers for musicians, including the solid-state Flexwave Series, the tube model V-Series and acoustic amplifiers. The Flexwave Series offers the combo of the head/cabinet setup with three wattage choices of 15-watt FW15, 65-watt FW65, and the 120-watt combo FW120. The V-Series tube models range from 5 watts to 100 watts. Some of the tubes on the V-Series are EL84 tubes for lower-wattage amps, as well as V50 and V100 sports EL34 power tubes for higher-wattage amps. The acoustic line of amps range from 10 watts to 120 watts, depending on the model. The CA10 10-watt is the basic amp, while the 30-watt CA30DG has the addition of digital effects (reverb and chorus). The 120-watt CA120DG is the most powerful acoustic amp distributed by Crate.
Crown Audio is proud to be part of the HARMAN Professional family.
In 1947 an Elkhart, Indiana minister named Clarence C. Moore founded the International Radio and Electronics Corporation (IREC) which, over the years, has become better known as Crown Audio Inc. Moore started by building open-reel tape recorders out of a chicken coop but today, Crown Audio is an industry leader in amplified sound. Crown makes amps for cinema venues, installed sites, touring rigs, portable PA and commercial audio. With over 67 years of focus on innovation and providing the best user experience, Crown Audio is continually raising the bar in audio amplification.
Clarence C. Moore, a longtime radio enthusiast, had spent the early part of the ’40s in Quito, Ecuador working for HCJB, a non-profit Christian broadcasting and engineering group.
Following his return to the United States, he felt the desire to supply Christian broadcasters like HCJB with quality electronic products. As a result, Moore founded International Radio and Electronics Corporation (IREC) in 1947 and converted a former chicken coop into the budding manufacturer’s first production facility.
The company’s early reputation was built on a family of rugged and compact open-reel tape recorders designed to operate reliably when used by missionaries in remote, often-primitive regions of the world. After modifying and distributing several existing models (Magnecord, Recordio, Pentron and Crestwood) for the first couple of years, Moore obtained a patent in 1949 for a groundbreaking invention: the world’s first tape recorder with a built-in power amplifier (15 watts). This invention led the way for several more in the next 15 years. In 1964, the company invented their first solid-state amplifier called the SA 20-20. From then on, the focus switched from tape recorders to amplifiers and the business was quickly growing.
Unfortunately, amongst all of the growth and development, a fire erupted on Thanksgiving Day in 1971 and destroyed over 60% of the facility and the remainder of the plant was severely damaged. There was $1 million of uninsured inventory destroyed in the process. However, Mr. Moore wasn’t going to let this disaster stop him now. Production resumed within 6 weeks with the latest of their inventions, the D-60 amplifier.
Eventually, Moore’s wife and co-founder, Ruby (deceased 2002), suggested that a name change was in order. Since IREC had by this point produced vacuum tube tape recorders branded ‘Royal’ and ‘Imperial’, in addition to the fact that the emblem on those products was a fancy crown, she felt that the company should simply be called Crown. In 1975, the stockholders voted to change the name of the corporation to Crown International, Inc.
Acquired by Harman International in March of 2000, Crown has continued to move forward, producing numerous innovative designs, such as the DriveCore™ Install (DCi) series that was released in 2013. This series features both analog and Network amplifiers for the installed sound market. Using just one tiny chip to replace over 500 parts makes the DCi series of amplifiers the most reliable and innovative amplifier on the market today. These products and more embody the reliability and innovativeness that have long been the manufacturer’s hallmarks. Crown today continues to delight its customers with products that consistently exceed both specifications and expectations, even on the most demanding tours and installations.
Crown International Senior VP of R&D Gerald Stanley, who originally joined the company in 1964 as a tape recorder line technician and amplifier design engineer, comments on Crown’s success over the years. “In an era of cookbook designs and buggy software, it would seem that the most basic lessons of history have been forgotten,” he says. “Crown’s recipe is simple: design, build and service each product as if you were the customer. This approach not only drives the product to excellence, it drives the people to be the best that they can be.”
After more than 40 years of intense activity in the world of audio, D.A.S. has acquired a valuable know-how in the development and manufacture of sound reinforcement systems. Recognized around the world for its quality products and customer oriented service, the company’s highly qualified staff is dedicated to designing and building an extensive line-up of products used wherever reliability and sound quality are requisite. The company headquarters is located in Valencia, Spain and occupies approximately 24,000 square meters (260,000 square feet) in Spain’s largest industrial park, the second largest in Europe.
D.A.S. has an extended network of dedicated distributors across the globe. They are actively supported by regional sales and distribution centers located in Singapore and Miami, Florida, providing clients with the rapid response needed in today’s demanding market. Exceptional customer support, both before and after the sale, on-site technical training seminars and long-lasting business relationships are just a few of the reasons that have made D.A.S. above all, the professional’s choice.
D.A.S. Audio is committed to innovation and the development of high-quality products. The R&D department employs highly qualified professionals and state-of-the-art technology allowing the company to undertake ambitious projects and compete with the best. D.A.S. has secured its position as a market leader in the sound reinforcement industry while continuing to establish itself worldwide and develop new products that satisfy the requirements of an ever-changing market.
Founded in 1978 by bassist David Gage, the store specializes in the sale, restoration and repair of double basses, cellos, violas and violins. The client list includes great orchestra musicians, jazz, rock'n'roll, country and world music artists. Those they use are professionals, students and amateurs. Much care and attention is given to each player and his instrument.
The goal of David Gage is to maximize the sound potential of the instrument and the playing requirements of the musician.
In addition to providing a full range of luthier services, David Gage also sells antique and modern instruments, rents professional quality instruments and maintains a full stock of bass and cello accessories.
The following products are signed David Gage:
The Realist ™ Transducer: for double bass, cello, violin and viola was designed by David Gage and Ned Steinberger, providing "the best arco sound and pizza of all".
The realistic violin: is an acoustic violin with an integrated realistic microphone. It sounds as well with amplification as without, available in version 4 and 5 strings, standard or professional quality.
The Czech-Ease ™ Road Bass: is a double bass with an abbreviated body that makes it exponentially more portable than its full-bodied cousins, without losing the true bass sound.
The Gage Travel Case ™: for bass / cello was designed by David Gage and is made in the United States exclusively for the David Gage store. These cases are the "first class tickets" for your double bass and cello.
The Metropolitan Bass Bow: is made for professional bass players and takes full advantage of the potential of carbon fiber.
Irving Sloane Bass Machines: Delivers exceptional "finesse and precision" in tuning.
Dbx, Inc. is a US producer of professional audio recording equipment. It was founded by David E. Blackmer in 1971.
The company's initial objective was to "get closer to the realism of a live performance". His first products were based on the concept of using the decibel expansion that gave the company its name. Dbx is best known for the dbx noise reduction system. The dbx noise reduction system used compression when recording an audio track and a symmetrical extension during playback. They also manufactured the Model 700, a unique but short-lived studio recording system that is popular in some circles as a mastering format. Another prior product was the DeciBel eXpanded range meter, a small semiconductor meter that measured lower and stronger audio voltages than other larger contemporary voltmeters, integrated in an aluminum extrusion that was roughly The size of the meter itself.
Definitive Audio. The clue is in the name.
We have been designing and manufacturing Living Voice loudspeaker systems since 1990 which we distribute worldwide to companies that share our passion. Likewise, we are the exclusive UK agent for a number high-end audio companies who produce amplifiers, turntables, tonearms, cartridges, CD players, audio cables, equipment isolation supports and AC power supplies. We combine these carefully selected products into complete domestic audio systems in which the component parts works in harmony.
We produce systems with musical performance that is greater than the sum of its parts. Our passion is music, the system is its faithful servant. We install these systems worldwide providing our clients with an unparalleled quality of service from consultation, through demonstration, and installation to back-up support and service.
Denon is a Japanese electronics company that is the originator of digital audio technologies, which specializes in hi-fi equipment in the professional and consumer fields.
Its history begins in 1910. For several decades, Denon was a Nippon Columbia brand. In 2001, Denon was bought for its electronic part with 98% of the shares held by Ripplewood Holdings and 2% by Hitachi. In 2002, Ripplewood Holdings founded D & M by acquiring Marantz. D & M Holdings is created. The Denon brand comes from "the abbreviation of Japan Denki Onkyo" in 1939 "denki" meaning "electric" and "on" or "onkyo" meaning "sound" or "acoustic".
Denon created in the early 1990s double CD players DJ. Since then it has become a standard. The first range consisted of DN1000F, DN2000F and DN2500F. Denon also created the only dual MiniDisc player for DJs. Their latest products include the DN-D4500 MK2, a wide range DJ mixer, and more recently a high-end DJ headphone. Denon has become known in the field of the Dj deck, notably thanks to the DNS-1000 which, despite its compact form, is a concentrate of technologies, despite a relatively correct price. Denon is also well known for its premium AV amplifiers and legendary high-end mobile voice coil cells such as the DL 103.
Denon is also well known for its high-end mini-channels such as the D-M31, M30 and, more recently, the D-M39. Ceol RCD-N8, CEOL Piccolo N5 and a new line of video products, easy to use, and with a modern design such as the S-Series (S301), which also integrate steering functions IPod. Denon has won numerous awards and awards across Europe.
Digitech is a trademark of Harman International Industries, a specialist in audio hardware since 1980.
Created in 1984, the Digitech brand has made many innovations in the music industry by producing guitar effects pedals as well as preamps and modulators.
Legends of music such as Eric Clapton could use them. Its latest innovation dates from 2015 with the TRIO pedal.
EDEN’s dedication to providing musicians with tonal clarity matched with flexibility began in 1976. Since its humble beginnings in Eden Prairie, Minnesota, USA, EDEN has continued to strive to offer the best in amplification, speaker drivers and cabinetry for musicians everywhere.
Today EDEN is internationally recognized as one of the premium brands in bass amplification, providing solutions to bass players, from practice combos through to awe-inspiring professional rigs. EDEN is proud to serve studios, stages and stadiums across the world.
Electro-Voice (usually called EV) is a US manufacturer of audio equipment, including microphones, amplifiers and speakers, for professional audio and car audio recently.
As a subdivision of Telex Communications Inc. since February 1998, Electro-Voice markets its products in small or large concert halls, broadcasting venues and retail outlets.
Founded in 1983, F.A.L. has a long established role in the lighting industry. More than 20 years of experience in entertainment, theater, stage and architectural lighting has given FAL a solid reputation for high performance, quality and accessibility in the lighting market.
The Fane team in the British production plant in West Yorkshire, England.
Fane is a wholly British owned company with it’s headquarters located in West Yorkshire, England. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place.
Established in England, 1958. Fane has a strong heritage and history in sound engineering excellence. Producing high-quality pro audio transducers. We are trusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the world’s most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies.
Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. FANE was established to manufacture commercial loudspeakers for radio and television sets as well as the new ‘hi-fi’ industry as the new technologies and economy of the post-war era saw a huge expansion in affordable consumer products.
Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958.
Drivers for household or reinforcement use were advertised in 1959. One unit was equipped with aluminium voice coil windings, a favourite technique of Arthur Falkus to extend high frequency response.
From its inception FANE demonstrated the pioneering spirit that has comprised a core element of its ethos through to the present day.
A vintage Fane car radio speaker.
During the early years of FANE’s existence and rapid growth, the company supplied small round and elliptical speakers to manufacturers during the boom period of radio and television set production in the UK.
From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the ‘Quartet’ complete loudspeaker system.
During this period production grew to exceed 50,000 units per week.
Finishing and preparation of the iconic shape Fane speaker chassis.
In 1965 Fane Acoustics developed the IonoFane, a revolutionary plasma tweeter capable of incredible high frequency response utilising patented technologies. The unit used a high frequency electrical discharge to produce sound waves by ionising the air in a small quartz tube coupled to a flared horn. IonoFane was used by the British Broadcasting Company (BBC) as a monitoring loudspeaker and Bower & Wilkins also made units under license to Sony in Japan.
This served to expand FANE’s reputation globally as a pioneering brand with a true passion for innovation in audio.
The IonoFane plasma tweeter circa 1965.
In 1966 a young man by the name of Arthur Barnes joined Fane Acoustics as the press-shop manager. Arthur would progress through the ranks to become Managing Director and become the driving force behind FANE’s most globally successful period of the 1980s.
Arthur Barnes (Centre) with David Biggs and Dennis Newbold.
It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator.
During the 1960s the electric guitar created the need for more powerful 12-inch loudspeakers. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus’ development, presentation and use of the glass fibre voice coil. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born.
FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB.
The revolutionary and trail-blazing new speaker technology was highly successful. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. World-renowned brands of the time such as Carlsbro, Hiwatt, Laney, Orange, Sound City and Vox were just a few of those FANE customers.
Iconic artists such as Pink Floyd, The Who, The Rolling Stones and many more used equipment loaded with FANE speaker components, making FANE an integral part of the British music scene revered throughout the world.
It is a tribute to FANE design expertise that other loudspeaker manufacturers, recognising the superiority of the glass fibre coil, replicated the use of this material for their own construction and making it an industry standard. Where FANE led the way, others followed.
Modern 'vented'Fane voice coils still utilise Arthur Falcus' revolutionary glass fibre technology.
During the 1970s FANE went from strength to strength, increasing production capabilities and carrying out further research in loudspeaker technology and advanced construction materials. As FANE continued to further develop speaker technologies for high-power professional audio sound reinforcement, the FANE product range and OEM capability significantly expanded to cover a catalogue range of fifty products.
OEM customers could select variations of cones, coils, dust domes and suspensions to modify product to suit their individual requirements, a service that FANE continues to offer today.
It was during this period of growth and development that iconic loudspeaker ranges such as the Classic Series and Crescendo first appeared.
The legendary Fane Crescendo.
FANE — “Towards Perfection”
By the mid-1980s FANE was probably the most significant professional audio component loudspeaker manufacturer in Europe.
Another decade of continuous success saw increased FANE presence in high-end theatres such as Carnegie Hall, New York, and the Royal Theatre, Copenhagen. Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the world’s leading venues and entertainers.
The new Studio series incorporating, amongst others, Colossus models, reflected the very latest developments in acoustic engineering. FANE “Towards Perfection” was a phrase used to reflect the pedigree and mission statement that the company was striving so successfully to achieve.
New landmarks, such as the first commercially available 24-inch loudspeaker and 4-inch voice coils, enabled FANE to strengthen during this period under the leadership of Arthur Barnes.
In 1986 respected English loudspeaker brand McKenzie was acquired as part of the audio group portfolio, another association that continues to the present day.
In 1989 following years of success, and despite a resolute attempt to orchestrate a management buyout, FANE was purchased by the Wharfedale Group. Arthur left the company he had dedicated himself to and the tenure of the Barnes family association with FANE was temporarily ended.
Audio Fidelity Group Directors, including Simon Cowell (top left), meet with arthur Barnes in the 1980s.
A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. Introductions such as NXT flat panel technology did not achieve the desired success and the brand suffered from a lack of focus on the core values upon which it had been so successfully founded and developed between the 1950s and 1980s.
A Fane loaded 4x12 speaker cabinet.
In January 2007 the Barnes family took the opportunity to purchase FANE with the objective of restoring the brand’s fortunes through refocusing upon core values and bringing a renewed expertise to the challenges of an audio market that had showed considerable change over the previous twenty years.
In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England.
Fane's present day headquarters and manufacturing plant in West Yorkshire, England.
The opening of our offshore manufacturing plant enabled FANE greater competitiveness to meet the challenges of a market in which the number of rival brands had increased exponentially at the same time of vastly increasing production output. By bringing FANE closer to key growth regions, FANE has been able to develop market share in the great emerging world economies.
The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. The PRIME 18XS displayed the hallmarks of FANE ingenuity to deliver an incredible peak-to-peak excursion in excess of 60 mm to ensure fast, accurate bass in the most testing of performance environments and engineered to provide significant advantages over competing European products.
The PRIME 18XS represents just one of the many new product developments over the past decade of FANE audio engineering, each model carefully considered and engineered to provide an audio advantage for the OEM, excelling and not just performing in the target application.
FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements.
In 2018 we celebrate our 60th anniversary as a brand and ten complete years under the Barnes family ownership with a direct link through to the early days of FANE back in 1966.
Under family ownership, management and direction we are faithful to our heritage and look forward with optimism to the future, bringing the advantages of a genuinely forward-thinking and multi-generational app
roach with one founded in the values that makes FANE great. A labour of love as well as of professionalism and expertise.
With direct business-owner to business-owner communications and commitment to world class standards and professional excellence we welcome working with business partners around the world to forge a strong and successful future together.
2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium™ a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future.
We look forward to working with you to celebrate further milestones of achievement in the story of success that we shall forge together...
WHAT MAKES FANE LOUDSPEAKERS SO SPECIAL?
No compromises are made on design and component specifications to guarantee only the finest audio performance. Only the highest quality materials sourced from the world’s most respected suppliers are used in our quest to produce the perfect transducer solutions.
Designed at our headquarters in the UK, Fane produces a comprehensive range of matchless chassis loudspeakers in the standard diameters, with versatile mounting facilities designed for convenience and security.
In addition to chassis loudspeakers, our professional product range includes an outstanding series of compression drivers specialised to cover the high frequency bandwidths. Devices of innovative design, skilful engineering and superb performance.
Every product represents the cutting edge in acoustic design technology, engineering and material science, optimised performance and outstanding durability coupled with amazing value. Built to a high standard with systematic testing and strict quality controls that ensures performance excellence is retained indefinitely
Gator Cases was founded in 2000 by father-daughter team Jerry Freed and Crystal Morris in Tampa, Florida. Initially, they launched with a small offering of molded plastic guitar cases at the Summer NAMM show in Nashville, Tennessee. From there, they expanded the product line to include case and bag solutions for pro audio, IT, audio visual, general utility, band instrument, and percussion. The line now consists of over 1000 different solutions that are made from vacuum-formed plastics, rotational-molded plastics, wood, sewn, and EVA materials.
Leveraging the company’s expertise in case design and manufacturing, Gator has also grown a complete OEM division that works with leading companies around the world to engineer and manufacture custom cases for original equipment manufacturers.
In 2008, Gator acquired the manufacturing facility and product line of Protechtor Cases, located in Ft. Wayne, Indiana. This new endeavor brought on shore manufacturing in rotational molding along with expansion into the percussion market. Gator continues to invest in additional US manufacturing and expansion of this plant.
In 2013, Gator announced its new Frameworks line of stands and support systems at the Winter NAMM show. The launch features over 50 innovative and unique solutions for microphone, speaker, guitar, keyboard, A/V, and more. The line was extremely well received and compliments the existing case line, making Gator the one stop for all your accessories needs. After being awarded Best in Show Honors at Summer NAMM 2013 and Winter NAMM 2015, it is clear the Frameworks line of products will be a major and permanent contender in the industry.
In 2014, Gator moved into a new state of the art manufacturing and distribution facility in Columbia City, Indiana. With over 180,000 square feet of dedicated space, Gator is poised to continue expanding manufacturing and offer best in class distribution.
In 2015, Gator acquired Viking Cases, a USA based case manufacturer specializing in custom built ATA rated flight cases. All Viking Case manufacturing was moved from it's location in St. Petersburg, FL into our facility in Columbia City, IN.
Glorious DJ designs and manufactures high quality studio and DJ furniture. Glorious studio supply offices, DJ workstations, DJ mixing stations, deck mounts and vinyl storage that combines great value with a superior finish. Glorious DJ and studio stands and looks great at home, in a bar / club or in your studio. Buy Glorious studio furniture from getinthemix.com with FREE UK delivery on all DJ stands, studio stands, bridge decks and furniture for musicians, DJs and producers.
HH Electronics is a British amplifier manufacturer, that was founded in 1968 by Mike Harrison, Malcolm Green and Graham Lowes in Harston near Cambridge, England, where its first solid state TPA and MA range of studio quality amplifiers were designed and manufactured. These amplifiers were used by many recording and broadcasting studios, including the BBC.
The company later moved to larger premises at Milton, Cambridgeshire, named the 'Dust Bowl' producing the first of the IC range of music amplifiers. The I/C100 Organ/Musical Instrument Amplifier, which gave a massive 100-watt RMS of undistorted power and featured a unique green electro-luminescent lit front panel which was to become one of HH's unique selling points, was produced with musicians especially the semi-pro and the retail music equipment market in mind. The separate 412BL [4 x 12"speaker] Bass/Lead Cabinet was also produced for the I/C100. The I/C100 was also put in a cabinet [called a Combo] with 2 x 12" Celestion Speakers.
Following a move to Bar Hill, Cambridge in the late 70's, HH extended its range of sound reinforcement equipment to include models such as the MA100 Mixer Amplifier, a 100 watt, 5 channel PA amplifier 'head' with a switchable spring reverb. The IC100L, V-S Bass and the V-S Musician, a two-channel 100-watt guitar amplifier head with a spring reverb, separate gain and master volume controls and a built in switchable solid state distortion circuit. This circuit was designed to emulate valve amplifier distortion [hence V-S for valve sound] but with controllable master volume, the V-S circuit was encased in a block of resin to prevent copying by competitors. All the amplifiers were housed in smart slim carryable heads and 2 x 12 or 1 x 15 combo enclosures. Many new PA speaker cabinets were designed and put into production, such as the 212 & 412 Dual Concentric, 212BL, 215BL, 412BL, 115PA Radial Horns and Bass Bin + Piezo plus the Concert Series of pro PA systems. A large range of studio and live mixing consoles, from an 8:2 to a 24:8:2, was designed and manufactured in the early '80's, plus an HH electric piano and a range of tape echo machines and effects pedals.
Loudspeakers were also designed and manufactured in-house with cast Magnesium Alloy frames under the supervision of HH Acoustics [led by acoustic guru Ed Forme], in order to match the quality of the amplifiers and speaker cabinets.
Continuing designs brought along another of the first 19-inch rack mountable studio quality power amplifiers, the S500D, a favourite with the big pro touring and hire companies. Producing nothing less than 500 watts RMS of power per channel, these amplifiers were ideal for the big touring supergroups in the '80's. Also there was the V-series of amplifiers, including the V100, V200, V500 and V800 MOSFET, .
HH moved premises again around 1985 to Clifton Road, Huntingdon, Cambridgeshire and began to develop new amplification products, such as the VX Range of 19" Rack Amplifiers, MXA and Invader series speakers.
In the 1990s they were bought out by Laney Amplification.
HH Electronics now resides in the West Midlands and its current range reflects the company’s continued drive to offer excellence in performance with outstanding value and a close understanding of the end-user and is still designed in the UK
Since 1984, the name Hughes & Kettner has become synonymous worldwide with guitar amps of the highest quality. Engineered in Germany, these amps are the product of a lifelong passion and pursuit of a vision – to make great tone accessible for the discerning player.
Company founders (and brothers) Hans and Lothar Stamer began producing their own guitar amps in 1984. While the production space may have been small, their aspirations were not. Soon, the reputation of their products for craftsmanship and performance spread, prompting them to expand operations time and time again.
When Mr. Hughes, the synonym for the discerning guitar player, and Herr Kettner, the ahead-thinking German engineer, first met, Mr. Hughes was on a tone quest, looking to enrich players' sonic palette with more soulful means of expression. A glockenspiel's chime, the snap and snarl of a junkyard dog, the seductive wail of Siren's song, the thunderous rush of a passing freight train, the howling of a keening jackal, the malevolent grind of a chainsaw biting into metal - could an amp really be made to do all this? Engineering whiz Herr Kettner had his eyes on a very different prize. Envisaging a compact amp that would deliver fully-formed sounds including effects at the touch of a button, he sought to do what has never been done before. And he wasn't averse to doing better what has already been done. So began an impassioned collaboration that continues to this day.
We live in a world of sensory perception—touch, taste, sight, and especially great tone! Hearing is like no other sense. Auditory perceptions are interpreted as information, but they also have a direct and unfiltered influence on our emotions and, by extension, our well-being. Language and music are the speech of the heart, giving voice to our feelings and sharing our emotions. We are all equipped with "algorithms" that tell us immediately if an audio event signals safety, relief, good vibes, trouble ahead, or even danger. We may never fully understand these algorithms, but we never tire of studying them and discovering more about them every day. And the process is even more fascinating when you have made it your career, as we have done, to develop devices that spark audio sensations! The Hughes & Kettner team is made up of many specialists.
JBL, an American company based in Northridge, California, founded in 1946 by James Bullough Lansing, specializing in the manufacture of high-end loudspeakers.
The JBL brand is named after the initials of its founder, James Bullough Lansing.
The company was created after James B. Lansing left Altec Lansing where he held the position of Vice President. It then moved into the design and manufacture of loudspeaker components and equipment for cinemas and the general public. After the death of James B. Lansing in 1949, his associate Bill Thomas develops the notoriety of the mark which gradually becomes a reference in the matter of domestic speakers.
In 1969, JBL was sold to Jervis, which later became Harman International. The brand is maintained and distinguished by its products which are used in particular in recording studios, concert halls and outdoor festivals. They also served to develop the THX audio standard.
The company is now organized into two independent divisions, JBL Consumer for the general public and JBL Professional for the professional market.
Focused on service providers and installers, the high-end J.COLLYNS brand will offer you products of the highest quality.
A career spanning more than 134 years has established our reputation as experts in Spanish guitar for guitarists.
Five words are the foundation of our business philosophy and represent the five pillars of five generations of guitar manufacturers: tradition, experience, quality, innovation and professionalism.
Five generations of the Ramírez family have produced Ramirez Guitars. The company was founded in 1882, when José Ramírez opened a workshop at 2 Concepción Jerónima, Madrid.
After the death of José Ramírez in 1923, his son José Ramírez II, married with two children, José III and Alfredo, returned from South America where he worked as a guitarist. He was also a guitar maker, and in 1925 Jose II ran the company.
Largely hampered by material shortages during the Spanish Civil War, José II and his son José III, who was himself a guitarist, began experimenting with non-traditional woods and design techniques. The other son of Jose II, Alfredo, directed the affair.
Alfredo died in 1954, and José II in 1957, forcing José III to take over the management of the store and to give up guitar making for a time. However, he continued to experiment, putting drawings on paper to be built by companions, and supervising each phase of construction of the instruments. He worked closely with the top performers, which led to the acceptance of his innovations.
He built concert guitars for Andrés Segovia that were larger and more powerful than those of Torres. These guitars had a longer scale length and asymmetrical bracing than the symmetrical Torres pattern. These two innovations and many others are standard today.
More radical still, in 1963, he built a ten-string guitar for Narciso Yepes, to accommodate Yepes' unique balanced chromatic chord, and later an eight-string guitar for José Tomás. The high-end professional models based on these two extended-range guitars remain in the current catalog of the company.
In the 1960s, to cope with the growing demand, José III moved the workshop to General Margallo Street, and significantly increased the number of employees, leaving the original premises only as a store. In the early 1970s, it was replaced by a larger store at 5 Concepción Jerónima, directly in front of the original establishment. The original store was restored and reopened in the late 1980s by José III's children, José Ramírez IV and his sister Amalia, both themselves then guitarists.
In 1988, Jose III passed the control of the company to Jose IV and Amalia. In 1993, they undertook a major restructuring of the company, focusing on entirely handmade professional instruments and entrusting the construction of high quality student instruments to their designs and delivered to their own workshop for inspection. final and adjustment.
In 1995, they were unable to renew the lease of the original shop, and moved to the current address near 8 Calle de la Paz. José IV died in 2000, leaving Amalia to oversee the entire operation. In 2010, it is a team of fourteen people, including Amalia herself, four other luthiers and three apprentices. Enrique and Cristina Ramirez, her nephew and niece will continue in the future.
A German concept that combines multicultural elements
The classical Spanish guitar with a modern twist.
All along, Spanish guitars have offered a very special sound, the sound we all love. That is exactly what LaManchaguitars from Germany wants to offer you – the perfect mixture of German development, Spanish design and Asian manufacturing. With this multicultural approach, LaManchaguitars combines classic design with innovative ideas.
In order to make a great LaMancha guitar, premium woods from all over the world are used: Canadian cedar, German and Swiss spruce and Indian Rosewood. In addition, the highest-quality strings from Savarez in France are incorporated in the manufacturing process. During assembly, traditional Spanish design and Chinese craftsmanship blend together.
The overall concept of LaManchaguitars is based on high quality German work that guarantees technically sophisticated and well-built instruments. All models are manufactured with the traditional Spanish design in mind, a proven sound board with the classic neck dimensions and the Spanish heel joint. LaManchaguitars is a modern approach to an ancient topic. As a result, enthusiastic musicians are getting a contemporary instrument that combines both current trends and traditional design to get the ultimate sound experience.
Lexicon, founded in 1971, is a company that manufactures audio equipment for the general public and professionals.
The company, now famous for its reverberations (480L, PCM 70), began its activity by manufacturing a digital delay for cardiology.
We're musicians. We’re technologists. So, we’re fanatics about engineering innovative, amazing-sounding gear that's ready to go right out of the box. And we're pros who have a track record of designing category-defining products that shatter technical barriers─so you can focus on your music.
We introduced the world’s first digital modeling amp. We're the ones behind the groundbreaking POD® multi-effect, that revolutionized the industry with an easy way to record guitar with great tone. Our Variax® guitars can do more than any other instrument in history, and we’ve led the wireless analog-to-digital transition for musicians everywhere with our Relay® products.
We haven't stopped, either. Now, Line 6 has introduced HelixTM, our new flagship tour-ready guitar processor. Helix represents a giant leap forward in guitar processing, as well as a new way of thinking about guitarists and their relationship to technology. Helix joins a long line of past Line 6 innovations including the AMPLIFi family for Practice, Play and Recording, and the FirehawkTM multi-effects processor, which both incorporate intuitive app-based editing capabilities. Our StageScape® live sound workstation and StageSource® loudspeakers make music creation even better by incorporating powerful technology like iOS, the cloud, digital networking and more.
We’re proud that our long history of ingenuity and passion for innovation has helped us to change the industry. We’re all about giving you access to the tools you need to create, perform and record in ways you never thought possible. We promise that we'll always take dramatic leaps so you can reach new heights with your music. That's our commitment to you, because in the end, we love being a part of making great music.
Mackie is a brand of the United States-based company LOUD Technologies. The Mackie brand is used on professional music and recording equipment, such as mixing consoles, loudspeakers, studio monitors and DAW control surfaces, digital recording equipment and more.
Mackie Designs, Inc. was founded in Woodinville, Washington by Greg Mackie, an ex-Boeing worker who began making pro audio gear and guitar amps in his spare time. After founding the small line mixer manufacturer TAPCO, and later the home audio processor manufacturer AudioControl, Mackie founded Mackie Designs, Inc., designing and manufacturing affordable and versatile compact pro audio mixers.
Mackie's mixers were a tremendous success, forcing Mackie to relocate and expand manufacturing every year in its early years to eventually occupy a 30,000 square-foot factory in 1994 and further expanding to a 90,000 square-foot (2,787 square meter) factory the following year. Mackie Designs took advantage of the Seattle area's plentiful electronic and engineering subcontractors and utilized automated assembly machines to achieve high productivity and quality with lower overall production costs. Mackie was the originator of the Ultra-mix Universal Automation System for 8-bus consoles.
By 1996, Mackie was diversifying, adding veteran industry designer Cal Perkins to the team and diversifying into power amps, powered mixers, and active studio monitors.
We are tradition and modernity, art and experience. We are exotic woods, the smell of sawdust and varnishes. We are passionate about the creation of our guitars; generation after generation we have achieved the perfection of a century-old manufacturing technique. Our creations are proof of our strong commitment to Spanish culture, which has led us to having a presence in more than 120 countries. We create the essence of Spain and bring it to the whole world. We are music, we are culture, we are MR Guitars.
MR Guitars is made possible by hundreds of people. Our company is what it is thanks to those who work for it every day. They are the ones who strive to offer the highest quality products and to make them reach to all corners of the world.
Our essence arises from the experience of several generations of luthiers who have loved the art of guitar making, infused with all that surrounds it So, more than a hundred years after its foundation, each of the luthiers who have joined the family, the sales team, the people responsible for management and administration, and all those who make the brand possible, all of us are committed to the original values of Manuel Rodríguez, who founded the house: tradition, art, beauty, sound and modernity.
MR Guitars is a lot of people, a lot of people who work for all those people who share the same values. Our commitment to the customer is that which has made us grow and improve with the years and we are aware that our products only have real value when other ears enjoy their sound, when the hands of a music lover of the music are those that make that sound.
The British company Marshall Amplification is one of the world's largest manufacturers of amplifiers for electric guitars. It also produces bass amps, effects pedals, headphones, a refrigerator and lastly a smartphone.
Marshall was born in 1962 when Jim Marshall, then a drum teacher and music store owner, noticed discussions with many musicians, including Pete Townshend and John Entwistle of The Who, 'They regularly emit the need for a different, more powerful sound. It was as a result of this finding that Jim Marshall decided to embark on the world of amplification. The first tube amp, built by Jim Marshall, is the JTM 45, which is largely inspired by the Fender Bassman 59 '.
Jim Marshall is also the inventor of the stack, that is to say a stack of loudspeaker speakers surmounted by an amp head.
The Marshall Sound in the 1960s was popularized by three major artists of the time: Who, Jimi Hendrix, and Eric Clapton when playing with John Mayall's Bluesbreakers. This powerful sound made many admirers and other guitarists such as Led Zeppelin's Jimmy Page played on these amplifiers. In the 1980s, many guitarists used Marshall: Metallica using JCM800 and JMP100 MkII heads for the album - Ride The Lightning - and then for the studio. Megadeth among others with the JCM800, Kerry King of Slayer, Slash (formerly Guns N 'Roses) with the modified 1959 Plexi, Silver Jubilee Slash and Yngwie Malmsteen with the JMP, Joe Satriani with JVM model Joe Satriani, AC / DC with a JTM45 and Plexi.
"Marshall" is a brand recognized by a lot of musicians. Some models, like the JTM 45, or the JCM 800 have become as essential as a Fender or Gibson guitar.
In recent years, Marshall has launched several derivative products: a fridge, artisan beer brewed in the Vendée, headphones and listening station for walkmans.
Martin is all about fresh ideas, built on a solid basis of experience and an unparalleled range of dynamic lighting solutions. That is why Martin is the lighting supplier of choice for lighting designers, rental houses, and installers across the architectural, commercial and entertainment worlds.
Our ambition is to understand, inspire and enable our customers to develop attractive environments and create excitement through the use of dynamic light and visual effects.
We strive to be the obvious choice for the global professional lighting market. We add value through superior quality, industry-leading competences, full accountability and die-hard dedication to our customers.
Welcome to C.F. Martin & Co
For more than 175 years, C.F MARTIN & CO. manufactures instruments recognized as the most prestigious in the world. In constant change, the company continues to innovate in favor of new techniques, some of which have become references in the guitar industry, like the dam X, the junction at the 14th fret, or of the Dreadnought model. As one of the world's leading manufacturers of acoustic instruments, CF Martin & Co also owes its success to the excellence of its instrument making, to women and men using their know-how and ingenuity for new processes and designs, ranging from along with the concepts initiated by the founder.
The firm is also known for its production of high-end acoustic guitar strings: the Martin SP Lifespan range, offering an unrivaled lifespan in the music industry - The Martin SP range has become an absolute reference for advanced guitarists .
Many musicians, icons of rock, folk, country, or promising future, today honor the Martin guitars and strings around the world. Present in all spheres of popular culture, these artists are popular on television (Glee, Psych, Raising Hope and American idol), in movies, on Broadway, in books, on the Internet and on magazine covers.
M-Audio is one of the most revered names in music computer interface and studio integration solutions, keyboard and controller products, and essential musical hardware from microphones to studio monitors.
M-Audio was founded in 1988 under the name of Midiman. The company was originally engaged in designing software and hardware solutions designed to address the challenges of connecting MIDI, audio, and computers together in a system in order to facilitate the composition and production of electronically-based music.
In 2000, MIDIman debuted the name “M-Audio” for their latest line of audio products. They enjoyed consistent growth from both the MIDI interface and audio hardware categories. In 2002, the first of the famous Oxygen series keyboards hit the market, establishing the important new category of portable keyboard controller.
The company continued to expand, with an ever-growing product line distinguished by sophisticated engineering with an emphasis on versatility and usability. M-Audio now offers state-of-the-art products in a wide range of categories that serve both the amateur and professional musical markets, including MIDI interfaces, keyboard controllers, drum machines, recording monitors and subwoofers, headphones, and microphones.
Medeli Electronics believes the full enjoyment of music greatly relies on high-quality musical instruments. The company is dedicated to producing top quality digital products for players of all kinds of music.
Founded in 1983, Medeli Electronics is a digital musical instrument developer and manufacturer based in Hong Kong. Medeli proved its early success in the 1980s by selling over 1 million units of its electric keyboard as a start, followed by the development of digital pianos, digital drums and other digital audio devices, adding greater dynamics to the product range. Currently it has grown into a company of over 1000 employees and with operations across Hong Kong, Shenzhen, Shanghai and Zhuhai.
With our continuous commitment to the innovation in design and the development of quality sound, we have established a name among those who share the same values of music appreciation. The company has gained worldwide recognition over the past 30 years, enjoying distribution in over 90 countries, while our distinctive partnerships with many international brands further promotes our expertise within the industry.
With a wide range of products, we satisfy the demands from beginners to professionals. Best of all, our products are tailored for various kinds of music enthusiasts.
MIPRO was established in 1995 by founder K.C. Chang, who had in 1970 designed the first FM wireless microphone in Taiwan and obtained the first patent for a condenser microphone capsule in Taiwan.
In 2001 MIPRO introduced a technology they termed ACT (Automatic Channel Targeting). "ACT" synchronizes the receiver and transmitter frequencies.This was followed in 2006 by MIPRO introducing the first encrypted digital wireless microphone system and later, digital wireless tour guide & language interpretation Systems in Taiwan.
The brand name "MIPRO" stands for "MI"crophone "PRO"fessionals. It is headquartered in Chiayi, Taiwan, with 200 employees and sales offices in China, Hong Kong, Germany, Korea and Austria. MIPRO designs and manufactures professional digital and analog wireless microphones, wireless portable PA systems, wireless in-ear monitoring, tour-guide and portable wireless ENG receivers and other wireless audio systems.
Originally founded in 1974, Music Man has built its name by leading an industry revolution, introducing active electronics to its production instruments. As a member of the team in the 1970s, Sterling Ball played an important role in the design and development of the iconic StingRay basses.
Officially buying the company in 1984, Sterling, later joined by his sons Scott and Brian, has formed a team of dedicated professionals who collectively share a common goal: to build the highest level of handcrafted instruments available.
Delivered in more than 135 countries on California's central coast, the brand continues to expand its reach around the world based on strict quality standards, innovative design and the best know-how for which it is known .
Every Ernie Ball Music Man has been meticulously designed and crafted with the utmost attention to every detail. With each new model, our world-class team of designers and engineers delivers the best playing experience possible.
All frets are hand-applied to exact specifications, and each one of you can expect from Ernie Ball Music Man.
Ernie Ball Music Man's necks and bodies are hand-sanded multiple times, creating flawless finishes and maximum playability.
Each instrument is hand-soldered using the latest technology in San Luis Obispo factory.
Three layers of high-gloss polyurethane are applied to each color-coated body, producing a luxurious state-of-the-art finish.
When you buy an Ernie Ball Music Man or bass guitar, it has already been tested and tuned by one of our experienced setup technicians, ensuring you can play right out of the box.
Native Instruments Software Synthesis GmbH is a manufacturer of electronic musical instruments, mostly software and hardware. These are intended for professional musicians, producers, DJs or sound engineers, as well as home-studiists. It was founded in 1996 and is based in Berlin with another office in Los Angeles.
The software products of the company are relatively varied with virtual synthesizers (eg Massive, FM8, Absynth), software samplers (organ, pianos, etc.), virtual drum machines, virtual modular synthesizers Reaktor), virtual samplers (Kontakt), sound libraries ...
It also offers both software and hardware systems like Guitar Rig which combines an amp simulator and software effects, with audio-digital interfaces, and controllers, or Maschine which is both a digital-audio station And a controller. The company also offers digital vinyl systems and interfaces specifically designed for DJs, such as Traktor.
A French lighting brand, Nicols has made itself known since 1995 in the world of architectural lighting, entertainment and light animation.
Due to its innovative and reliable products, it is always in line with customer expectations.
Nicols is today a reference brand for service providers, installers and specialist dealers.
Based in Haute-Savoie and born by the meeting of passionate light, Nicols has acquired over the years a real maturity product.
Today, our brand is recognized for its reliability and know-how.
Always focused on customer satisfaction and providing solutions, Nicols develops its products in a line of quality / price ratio to meet all expectations.
An Access range allows beginners to start with good quality products at the best prices.
The standard range meets the expectations of service providers and installers.
The premium range, under development, will meet the highest requirements with very specific features.
Continually the first to adopt and develop new technologies that advance the mixing experience for DJs at every level, Numark empowers DJs with revolutionary products that seamlessly combine classic feel with cutting-edge performance capability.
Over its 40-year history, Numark has been responsible for introducing hundreds of industry firsts, among them the first DJ mixer with a built-in sampler, DM1775, the first professional dual CD player, CD5020, the first hard-drive based DJ system, HDCD1, the first iOS enabled DJ systems, iDJ, and the first motorized DJ control surface, CDX, which was later incorporated into the NS7 and NS7II controllers. Numark is a proud member of the inMusic Brands family.
Outstanding instruments for students and advanced players. Odyssey Brasswind has been carefully designed by master craftsman Peter Pollard to produce instruments of breathtaking quality.
Omega Musical Instruments, brings a new concept to the market: excellence in money, We know that the musician is someone who plays with emotions and the musical instrument has a value that goes far beyond his cost.
Knowing the interest of the instrument for the musician, Omega is listening to the musicians in order to bring a constant improvement to its instruments.
They are manufactured according to international standards and certifications.
Optoma EMEA, a world-leading brand of projection and audio, has reached a milestone in its history. Indeed, the company celebrates 20 years of innovative solutions in terms of display and audio.
"We have always welcomed our ability to develop products with a future focus. For 20 years, we have been concerned about the needs of our customers and we provide the necessary solutions "With our key values of 'Reliability, Innovation and Customer Focus', we will focus for the next 20 years, to offer better products and services. best solutions. Said Thierry Millet, Managing Director at Optoma EMEA.
Since its inception, Optoma EMEA has introduced many visionary products, including the all-in-one DVD projector in 2005 (DV10) and the world's first pico projector, PK101, which won the product title of the year in the Time magazine in 2008. Optoma has also moved to audio with the acquisition of the Californian audio company in 2014, NuForce, widely appreciated by consumers.
More recently, the company introduced the world's first projector with DARBEE Visual Presence ™ technology, which is exclusively integrated with Optoma projectors. The brand also recently launched its first line of ProScene laser projectors, which offers exceptional reliability with DuraCore and Multicolour features for professional installations.
Optoma products have consistently improved the projection experience and user experience by building partnerships that keep Optoma at the forefront of industry trends. Optoma has worked on many ambitious projects with renowned brands; more recently a digital display window, visible in the light of day, in Harrods for the cognac brand Louis XIII, installed until April 25, 2017.
SY Chen, founder of Optoma EMEA, said, "I am so proud that Optoma has arrived at this turning point. The company has established strong partnerships and has expanded its loyal customer base across the region to become a multi-award-winning technology brand. "
Originally based in Taiwan, SY opened Optoma EMEA's headquarters in the United Kingdom in 1997. The company now has regional offices throughout Europe, the Middle East and Africa. The organization has maintained its dynamic strategic business structure locally. "This has allowed Optoma to ensure a constant competitive advantage by meeting the needs and challenges of local partners," commented Chen.
Pearl Corporation is the world leader in the production of percussion instruments of all kinds, especially batteries.
Pearl Instrument was created in April 1946 by Katsumi Yanagisawa in a small workshop in Sumida near Tokyo to market music desks for musicians. 4 years later, our industrious friend began to manufacture percussion and changed the name of his company to Pearl Industries. Three years later, she became the Pearl Musical Instrument Company and produced all kinds of percussions for Japan (mostly for schools), taking an interest in the American market the following year.
It was in 1959 that one of his friends, owner of a music store, strongly suggested to Yanagisawa to devote himself to drums. Success is immediate and the young entrepreneur understands all the interest of this sector in which he is fully invested.
In 1957, his eldest son, Mitsuo, created the export department. Five years later, he inaugurated a new 4,500 m2 factory in Chiba, Japan, which still remains the company's headquarters. But it was not until 1966 that Pearl commercialized a professional kit under its own brand, the Pearl President.
The company continues to prosper and opened a second factory in 1968; But since the cost of the Japanese labor force has increased sharply, production has been relocated to Taiwan since 1973. In the 1970s, Pearl imagined toms made of fiberglass (Image Creator) and even a plexiglass line (Crystallite) . Continuous innovations that lead them to also offer a snare copper (Jupiter). Over time, and certainly the reason for the tremendous success of the company, they collaborate with the greatest musicians of the moment, including Louie Bellson, Art Blakey, Chester Thompson, Jeff Porcaro, Phil Collins, Ian Paice, to name but a few. Drummers who actively participate in the development of new products, the mainstay of Pearl's policy whose many inventions have become standards of the current battery.
Today, Pearl remains the world's largest battery company with factories and offices in Taiwan, Japan and the United States. Note that the brand manufactures all of its parts, employs more than 600 people worldwide and exports to 55 countries.
Since its inception in 1972, Phonic has become a leading manufacturer of professional audio products—permanently perched on the cutting edge of both analog and digital technology. By the early ’80s, Phonic was the number-one producer of DJ mixers, supplying over 85% of the total units sold worldwide.
Phonic didn’t stop there. Since then, Phonic has expanded its manufacturing expertise into all areas of professional audio. We deliver products including digital mixers, audio analyzers, precision speakers, and wireless technologies that give the sound engineer industry-leading usability, performance, and dependability. Phonic's global reach extends across 50 countries and we proudly manufacture our products in 100% owned, ISO-certified factories.
Pioneer Corporation is a Japanese-based multinational based in Tokyo and was born in 1938. Originally a radio and car speaker repairer, the brand specializes in electronics by offering CD and DVD players for Hi-Fi and A range of CD players and mixers for DJs. One can cite the famous series of CDJ decks and the range of DJM mixers. The brand also offers cycling equipment for bicycle repair and maintenance. Currently, the brand develops sound equipment for concerts, festivals ...
It has become one of the reference brands in the world of Djing with its excellent equipment used by a large number of DJs: in the years 2010, and especially from 2013 when sales increase substantially, the brand occupies practically two thirds Of the DJ product market with a turnover for this area of $ 200 million.
POWER ACOUSTICS includes several ranges of flight cases designed to meet all the requirements and constraints imposed by the mobile or fixed service. Versatility, high resistance to shocks, you can safely transport your devices whether they are in 19 "format, controls, speakers, light effects ... From the flight case in multiplis to the standard or specific format, POWER ACOUSTICS offers today one of the most complete offers at an excellent price level without compromising on quality and reliability.
With more than 30 years of experience in the field of Audio Pro thanks to its POWER ACCOUSTICS brand, POWER LIGHTING is the brand dedicated to the lighting sector. This completes in a very significant way the catalog, already well supplied, intended for all the actors of the lighting sector in France. The very rich offer, will undoubtedly touch a large number of users.
POWER STUDIO completes a range already well developed in Audio Pro of products intended for installation, live or home studio. Judicious choice and high quality R & D enable the brand to aspire, without a doubt, to a success in the Pro Audio market.
It all began in 1995 when three friends put together three ingredients in their kitchen: love for music, passion for technology and curiosity for experimentation. Luca Lastrucci, his brother Claudio, and their mutual friend Antonio Peruch began by modifying amplifiers and sometimes building them from scratch; they succeeded in doing what others had tried to do before but with limited success in making an Class D amplifier perfectly operational and stable for high levels of power.
The company had no employees at the time but a lot of ideas that eventually led to the introduction of extremely powerful, efficient and innovative products into the market. Powersoft has become a prime example of Italian excellence, one of the leading companies in the pro-audio industry to produce advanced products and technologies based on three product lines - Touring Amps, Installation Amps and Amp Modules with several patents and over 600 million watts out there in the market.
Today Powersoft is the world leader in lightweight, high power, single rack space, energy efficient amplifiers for the professional audio market. Its state-of-the-art amplifiers can be found in an array of markets, ranging from stadiums, sporting arenas, theme parks, performance venues and airports to convention centres, churches, cinemas and clubs, and are used by the world's leading tour sound companies.
PreSonus is an American manufacturer of audio and digital audio workstation equipment used to create, record, and master music.
The company was founded in 1995 by electrical engineering graduate Jeremiah Brown.
The first product was the DCP8, a multi-channel compressor that could be controlled by MIDI. This allowed audio mastering to be achieved on an inexpensive rig.
In 2006, KristalLabs Software Ltd., a start-up founded by Wolfgang Kundrus and Matthias Juwan, began working on Studio One in cooperation with PreSonus. Kundrus was one of the early developers of Cubase and was the primary author of Nuendo for Steinberg. Juwan had written version 3 of the Virtual Studio Technology (VST) plug-in specification, and written the freeware KRISTAL Audio Engine. KristalLabs later became an integrated part of PreSonus. Wolfgang Kundrus was the Managing Director and Matthias Juwan chief technology officer (CTO). Wolfgang Kundrus left PreSonus in 2014 and is now Head of Software Development for EastWest Sounds. Other members of the team who also originally came from Steinberg include Maik Oppermann and Eike Jonas.
As well straightforward audio interfaces, the company manufacture the StudioLive set of digital mixers, allowing a number of audio channels to be fed into a computer system via a single USB or Firewire connection.
Founded in 1984, PR Lighting Ltd., by far the market leader in China, has engaged in a wide range of professional lighting solutions for architectural, entertainment and promotional uses for 30 years, along with the new LED Studio product line.
Its products have been equipped in many major international events and more than 60 counties in Europe, North & South America and Asia (including Australia, New Zealand). Our philosophy is to build deep relationships with our distributors,providing expert advice and service, and marketing support in your region.
Proel's history began in 1991 when Fabrizio Sorbi, current Chairman of the company, set up a group of 6 people operating in the field of connectivity and started manufacturing and selling assembled cables. This founding nucleus has developed up to 120 people, including employees and associates of the whole group. One of the most fundamental steps of this development is the creation, in 1997, of the R&D department which, since its beginnings, has been responsible for the research, design and prototyping of MADE IN ITALY Sound Reinforcement products.
1998 witnessed the acquisition of Tamburo, historic brand of drums and percussions, and the creation of a highly specialized manufacturing unit, characterized, amongst others, by advanced wood processing skills. In 2003 the Proel brand directly took on the challenge of the Lighting & LED sector, resulting in the acquisition of Sagitter, both as a brand and as manufacturing facilities.
Another 2003 fundamental step is the entry of private equity investors into Proel's capital with the acquisition of a minority stake (30%): an important boost to the group's development which allowed its management to rely on qualified advice with regard to corporate management strategic choices. In 2007 Proel acquired Turbosound Ltd., the English company leader in Sound Reinforcement, whose name is associated to world-famous music groups and top international tours: Pink Floyd, Iron Maiden, Dire Straits, The Shadows, Robbie Williams, Jamiroquai, Nine Inch Nails, Natasha Bedingfield, David Gilmour...
Other significant chapters of this history are the launch of the Die Hard branded Esoteric line of music instrument accessories, result of the cooperation with the Physics Department of the University of L'Aquila and of a remarkable commitment to design and innovative technology, and the successful startup in Public Address with products for permanent installations in airports, hotels, shopping centers, railway stations and places of worship, whose strength lies in the capacity to study, design and create systems suitable for any specific requirement.
These are the most significant steps of a development which has led Proel to be a leading benchmark in the industry of production and marketing of audio-video and lighting systems for the world of entertainment, events and installation. A fast-paced growth which has successfully exploited the opportunities of a highly competitive and specialized market.
Guitar building is an ongoing process of discovery. We are devoted to the guitar's rich heritage while committed to new technologies that will enrich our products with uncompromised tone, playability and beauty. Our success depends on our ability to listen, implement positive change and continually refine our craft.
Believing this, we strive to build the best guitars and guitar products possible and to serve our employees, customers, suppliers and community with distinction.
Founded nearly five decades ago, QSC, LLC, is a globally recognized leader in the design and manufacture of professional audio/video system solutions. With power amplification, loudspeaker, digital signal processing (DSP) and digital mixer engineering resources all located under one roof, QSC uniquely leverages these technologies to deliver products and systems that far outperform the sum of their parts - providing compelling solutions for professional installed, portable, production and cinema sound customers worldwide.
QSC expertise is also evident in its advanced manufacturing and quality control processes. The company manufactures in its 81,000 square foot, state-of-the-art facility, located in Costa Mesa, California. Utilizing a compliment of demand planning, parts procurement, operations and logistics, computer-controlled precision assembly, and rigorous testing and control, the QSC facility is designed with build-to-order flexibility, giving the company unprecedented ability to respond to customer needs while keeping both parts and finished goods inventory at well-maintained levels. Select partners in Asia provide additional manufacturing.
Located on 51,000 square feet of office space on the same campus as the manufacturing facility are the QSC Corporate Offices, Engineering, Sales, Marketing, Technical Support and Service. Additionally, QSC has offices in Boulder, Colorado and Hong Kong, with sales and support staff located throughout North and South America, Europe, Asia and the Middle East. QSC maintains a local warehouse and distribution facility in Costa Mesa, with other facilities in Tennessee, Belgium and China.
Employing over 400 people, QSC is also widely recognized as a great place to work, attracting the best and brightest individuals from all over the world. The company strives to provide a casual and fun work environment where people are genuinely excited to bring forth their best and let their talent shine.
QSC offers its employees an exceptional benefits package, further enhancing its ability to attract and maintain talent, and is a 5-time recipient of the Orange County Register’s “Best Place to Work” award.
The story of Randall starts with the history of its founder, Don Randall.
Don Randall partnered with Leo Fender in 1946 to develop, market and distribute Fender instruments and amplifiers. In 1953 he became president of Fender and under his marketing genius, organizational expertise and senior partnership with Leo Fender, Fender Sales grew steadily throughout the 1950s and thrived well into the 1960s on an international scale. Don Randall coined the names Esquire, Telecaster, Broadcaster, Stratocaster, Precision Bass, Twin Reverb, Bassman and others.
He also spoke for Fender in the 1964 negotiations that resulted in the company’s sale to CBS then subsequently became vice president and general manager of the Fender Musical Instrument and Fender Sales divisions of CBS until his departure from the company in 1969. Don Randall is forever rooted in American business as a pioneer in our industry and as one of the architects that contributed to development of Rock’n’Roll.
In 1970, he founded Randall Amplifiers with a focus on the technology surrounding the use of solid-state circuits instead of vacuum tubes. Many of these early FET transistor circuits are still the benchmark for solid-state amps to this day.
In 1990 Don Randall sold the brand to US Music Corp in Wisconsin who operated the brand until being acquired by Washburn International in 1995. Washburn international then renamed its operations as “US Music Corp” after the acquisition of Randall Amplifiers.
2002 brought the launch of the innovative MTS Modular Amplifier Series designed by former US Music engineer Bruce Egnater (who later found success with his own Egnater Brand). After the successful launch of the MTS platform Randall greatly expanded its artist reach with relationships with Kirk Hammett, Scott Ian, George Lynch and many others.
In 2010 US Music Corp was acquired by JAM Industries and Joe Delaney was hired to manage the Randall Brand.
Understanding the need for a solid engineering base from which to grow the brand, in 2011, Joe began to enlist the services of world-renowned heavy metal amp Engineer Mike Fortin. The first order of business was to bring Metallica lead guitarist, Kirk Hammett a new amp for his approval and after that first prototype debuted at the BIG4 show at Yankee Stadium everyone know that Randall was on a track to renewed success.
RCF was founded in 1949 by a group of Italian electro-acoustic engineers with a simple vision: to create, through technical innovation, quality control and attention to detail, audio products that would offer the highest-possible performance in their market sector.
The company started by making microphones, amplifiers and related products for public-address applications. During the 1950s and ‘60s RCF established itself as an OEM manufacturer of transducers, and by the mid-‘60s the company had become the first in Europe to have a high-level Transducer Research Centre.
This leadership in transducer design and manufacture continues to the present day, with RCF continuing to supply woofers, midrange units and compression drivers to some of the best-known and prestigious loudspeaker brands in the world.
In parallel with its transducer technology development, the company continued to expand its range of public-address electronics, amplifiers and speakers. These were sold both as single products and in complete system solutions for airports, hotels, schools, railway stations, factories…in fact, any public building with a requirement for audio messaging or background music. This market also continues to be a key part of RCF’s activities today.
With expertise in both transducer design and public-address systems, it was only a matter of time before RCF produced its first complete loudspeakers for professional audio applications requiring high-level sound and music reproduction. The first of these was unveiled in the 1980s.
In 1996 the company launched the ART series of active composite-moulded pro-audio cabinets. This technology, used at the time by only a handful of manufacturers in the world, instantly positioned RCF as a global player in the market for pro-audio loudspeakers.
From 2004 a new era began for RCF, with fresh investment in research and development and a renewed commitment to manufacturing in Italy. Since then, the company has designed, put into production and delivered to the market a substantial number of new products every year. Promiment among them is the TT+ High Definition Touring and Theatre Series – which became an instant success thanks to innovative amplifiers equipped with DSP, along with state-of-the-art transducer technology.
In July 2007 RCF Group (the company that comprises RCF S.p.A. and AEB Industriale s.r.l., which owns the brand dBtechnologies) was listed on the Italian Stock Exchange.
In 2008 the revolutionary ART 7, latest development of the ART Series, was launched, representing a fundamental step forward in active speaker technology.
This is the heart of our business. Creativity meets years of experience in designing new products and exploring new concepts. In-depth knowledge of the industry, a passion for DJ technology and a persistent desire to create cutting-edge ideas that push the boundaries are what drive our product development team. Our products are exclusively developed and designed in Germany and then assembled by selected Asian production partners. R & D is closely linked to the DJ scene and many well-known artists continue to make a valuable contribution to our innovations - highlighting our corporate philosophy "by DJs, for DJs".
No matter if it is via mail, our social media channels, or through our extensive support forums, these motivated employees will do everything to find the right solution to your queries. Reloop attaches great importance on the daily interaction with our customers and we appreciate any kind of feedback or input.
These guys have the German Quality Awareness flowing through their veins. Precision in workmanship is what makes our service so successful. In close cooperation with the product development team, our Service Team makes Reloop products better every single day.
We are a team of people from many disciplines who are creating new music-making devices for the digital age.
The Seaboard, our award-winning musical instrument, revolutionized the piano keyboard by replacing white and black keys with a continuous, touch-responsive surface that combines the expressive capabilities of many instruments in one interface.
Our range of hardware and software products has grown since the Seaboard launched in 2013. And everything we make — from our NOISE app to our Equator software — is designed to let music-makers be more expressive. Our products connect to others in our ecosystem and to many outside of it, because we want music creation to be as conveniently seamless as other digitized areas of life. By inventing new, connected tools we are extending the joy of music-making to everyone.
We are designers
Our design process integrates form and function, as we rethink how music devices and software should look and work. While our products are technologically advanced, they are also friendly. We want music-makers of all backgrounds and technical abilities to intuitively understand how our interfaces work — and delight in how quickly they can start making music.
We design our devices to be portable, so that music creation can happen on a train platform as easily as at a desk or in a studio. And we design them to be beautiful, so that they can inspire creativity not only when they are played — but even when they are seen.
We are makers
Even as we redefine the role of digital technologies in music creation, we craft physical products and work with tangible materials. From silicone molding to assembly, we manufacture the Seaboard GRAND in a converted railway arch in London.
At the same site our team creates prototypes of new products, desks for new starts, and the hexagonal panels that cover the walls of our sound studio. Seaboards are tactile interfaces that let people physically interact with sound, and they were developed with a hands-on, makers’ mentality. That mentality extends to other products. As we iterate design concepts, we iterate with physical prototypes. We bring the precision craftsmanship of another era to the forefront of digital innovation.
We are community builders
Our team is diverse, multidisciplinary, and multitalented, and it bonds through shared activities. We start each day with a company-wide standup meeting. We sit down to a home-cooked vegetarian lunch every afternoon. Some Fridays are designated Hack Day, when the team divides into groups that solve challenges that team members propose.
Our community’s practices are designed to let every team member learn and grow. This happens during daily moments when engineers, musicians, coders, marketers, and manufacturers come together. It happens when we create space in the working day for learning about subjects that might not have a direct application to a team member’s role.
SABIAN was founded in 1981, when Robert Zildjian - one of the world's great names in cymbal making came to the conclusion that drummers needed a better choice of cymbals. Unsatisfied with the quality, the sound and the very relevance of the cymbals being manufactured at the time, he opened SABIAN in the small eastern Canadian village of Meductic, New Brunswick.
Since that time the SABIAN Vault has become a global center for cymbal and sound innovation. And that same SABIAN innovation has resulted in an unprecedented level of choice from the most diverse offering of cymbal design ever available. As a result, modern drummers and percussionists can choose from models that range from vintage to modern, from dark to bright, from traditional to downright eclectic.
Visit Sabian.com to discover the vast range of cymbals and percussion instruments available to you - be sure to listen to sound clips and watch performance video. You will quickly agree that SABIAN innovation is all about creating new sounds that matter to musicians. Like the dark, tonal complexity of an Artisan Ride or the quick, trashy response of an O-Zone Crash. X-Treme Crashes produce raw glassiness, while X-Plosion Crashes delivers with raw power. And these are but a few models. There are hundreds of others, both traditional and innovative, producing vintage and modern sounds for drummers and percussionists from all genres.
Today, with offices and depots around the globe, and distribution into approximately 120 countries, SABIAN is exactly what Bob Zildjian and his family envisioned back in 1981. But it's really only the beginning. As musical styles and tastes are continually evolving, so is the art of cymbal making. And no company is better positioned to meet the demand for innovative sounds from artists around the globe. Ask any employee why SABIAN exists, the answer is obvious: "Because Sound Matters!"
Today we are designing the world of tomorrow's audio. This is the goal that we and our society live from day to day. All this expresses what we hope to accomplish together. The foundation of our approach is based on our history, our culture of innovation and our passion for excellence.
For us, good sound quality is not enough. We want to get the perfect sound. We want to make sound alive. The sounds can carry us, awaken emotions and even intensify our sense of the beautiful. We do not only perceive them with our eardrums, but through our skin, some people can actually "see" the sounds. In the heights of sound - online annual report 2013. That's why we work every day to get the perfect sound and offer it to our customers from the world of audio.
Since the electrical engineer Dr. Fritz Sennheiser founded the company in 1945, Sennheiser has been a forerunner of trends in the audio industry. Until now, our innovative inspiration, curiosity and passion have made our products and services immensely successful. Wherever people care about recording, transmitting or playing the sound, Sennheiser will be there. This is something we are proud of
Our headphones, microphones and audio solutions, customer service and dedicated staff are valued by our customers all over the world. Whether artists, disc jockeys, drivers, scientists, sound engineers or demanding music lovers, the Sennheiser name is always on top of the line products, the ultimate in sound quality and the guarantee of a fun Without distortion. This enthusiasm is the source of our passion for excellence. This is what motivates us every day to fulfill our mission: to offer a perfect hearing experience.
Founded in 1973, Soundcraft first made its mark with the launch of the industry-changing Series 1, the first mixing console built into a flight case satisfying the demands of the growing touring band market. Since then it has grown to become an industry leader in digital and analogue consoles for Tours, Theatres, Houses of Worship, Performance Venues and Recording applications.
Design and innovation has always been at the heart of Soundcraft's philosophy. Over the years it has introduced a number of iconic consoles such as the Broadway, Sapphyre. GB Series, MH series, Vi Series, Si Series, Signature and Ui. and being twinned with sister console company Studer, has been responsible for industry changing innovations such as the patented FaderGlow and Vistonics user interfaces all designed to make the engineers job and learning - easier.
Whether you are an international A1 sound engineer, or an up and coming learner, Soundcraft has a solution for you and support and training to help you make it all happen.
As part of the Harman Professional Division, Soundcraft remains dedicated to innovating professional mixing systems and is able to draw on the technologies of its sister companies who make up the famous family of Harman brands which include: AKG, BSS, Crown, dbx, JBL, Lexicon, Studer and most recent additions to the family Martin Professional lighting, and AMX video and audio control systems.
Founded in 1946 by Walter Stanton (Walter O. Stanton) the inventor of an easily replaceable phonograph stylus, which helped create a consumer market for audio equipment, Stanton Magnetics was one of the first American companies to make and sell magnetic cartridges. Stanton’s slide-in stylus made it possible for users to replace the needle assembly when it wore out instead of having to send it back to the factory. Audiophiles snapped them up for home use and the invention became one of the basics in phonograph cartridge design.
Stanton Magnetics is an industry leader in the design and manufacture of professional audio products for club, mobile DJs and turntablists. The company’s product range includes turntables, high-performance cartridges, CD players, DJ mixers, accessories and the innovative SC System Controller products. With over 50 years of innovation, Stanton is the name DJ’s trust.
Sterling by Music Man has long been a premier brand amongst guitarists and bassists alike. By making their instruments affordable and versatile, Sterling by Music Man has built a reputation that musicians everywhere trust. Backed by the legendary Ernie Ball, there’s no better time than the present to check out the instruments that Sterling by Music Man have to offer.
Sterling by Music Man originated as a manufacturer of bass guitars that are used by the likes of Colin Greenwood of Radiohead, Johnny Christ of Avenged Sevenfold, and Ian "Bulldog" Edwards of Earth Crisis. Overtime, they have also become known for their guitars that have been championed by the likes of John Petrucci of Dream Theatre and Steve Lukather of Toto. Whether you're keeping the groove on the bass or tearing up the fret board with searing solos, Sterling by Music Man have you covered.
Depending on your skill level, there is definitely a Sterling by Music Man instrument that will suit your needs. For example, if you're a beginning guitarist who is looking for their first six string, you may want to check out the SUB Silo3 Electric Guitar. This gorgeous guitar features an SSH pickup configuration as well as a tremolo bridge. Full of tone with a look you'll love, this guitar is a perfect entry level guitar for any performer.
If, on the other hand, you're after a killer bass guitar, take a look at the RAY4 Electric Bass Guitar. This versatile four string is loaded with tone and playability. With high output humbucking pickups designed for a true and natural reproduction of your sound, this bass will truly get your low end rumbling. It also features an easy to grip slim neck so you'll be able to play it with absolute ease.
And those are only two of the options Sterling by Music Man can offer you. Whether you're a hobbyist or a world class performer, Sterling by Music Man can offer you instruments with unparalleled quality and playability. When you're looking to bring your playing to life, then only a Sterling by Music Man instrument will do.
A modern and successful company
The facilities are equipped for the entire production technology cycle, from trunk cutting to wood storage, dryers, workshops for the manufacture and assembly of musical instruments, instrument finishing and their final equipment. . All workshops are held to meet environmental requirements, and their condition is continuously monitored, which also applies to surface treatment. All these aspects are a guarantee of the exceptional sound properties and quality of the instruments, based on traditional European craftsmanship.
The volume of production does not affect the quality of the instruments
Strunal's annual production is around 50,000 guitars of all shapes and sizes; more than 6,000 violins; nearly 1,000 violas; up to 2,000 cellos and the same number of double basses; 3,500 bows; more than 500 mandolins and banjos; cases, covers and other accessories. All instruments are manufactured in several versions, ranging from the cheaper instrument of study to concert models of higher quality. Customers will also appreciate the wide variety of sizes, ranging from life-size instruments to small sizes, from 7/8, 3/4, 1/2 and 1/4 to 1/8. The quality of these small instruments is just as high as that of large instruments, both in terms of sound and performance, allowing children to attend school as early as four years of age.
Strunal Is an Important Export
A significant portion of the company's production (approximately 90%) is destined for customers in other countries. Its most important export territories are the United States, Canada, Germany, France, Sweden, Spain, Mexico and Japan, and in recent years also Russia. Other markets include territories such as Iran, Oman, Lebanon and Sudan. Strunal exports its products to 52 countries worldwide.
References from renowned artists
Traditional craftsmanship of highly qualified specialists is the reason for the growing confidence in Czech musical instruments. The guitars made by the company are recommended to students by Professor Jiří Jirmal; his violins by concert virtuoso Jaroslav Svěcený. In addition to ordinary production, the company presents and offers the culmination of its program - masterpieces from the master craftsmen's workshops in Luby. These instruments are played by renowned Czech and foreign artists such as Jakub Třasák and Václav Hudeček.
Studiologic, also known as Fatar, is a manufacturer of Italian electronic music instruments founded in 1956 in Recanati.
The company builds five-octave keyboards (for organs), keyboards for synthesizers, and 88-key heavy-touch keyboards (for pianos) for almost all models sold by manufacturers such as Ensoniq, Kurzweil, Roland, Clavia, Korg, Alesis, Wersi, Casio, Farfisa, CRB, Elka, Orla, Elgam, Eko, Webo, LOGAN, Gem, Viscount, Crumar, etc.
Founded in 1956 by Lino Ragni, the FATAR brand stands for high quality keyboards for digital pianos, synthesizers and classical organs.
Traditional craftsmanship, coupled with a thorough knowledge of building materials and practices, fundamentally important for a folklore-based instrument such as accordion, determined the growth of the business in the following years.
Far from dissolving, the relationship between technology and artisanal culture has even strengthened in a modernization framework, determined by the use of new polymers and mass production devices.
Then FATAR has gradually gained a prestigious position, putting special care and specific expertise in the design, engineering and construction of keyboards with high technological and quality standards.
The most popular and influential brands in the global market for musical instruments, as well as the musicians themselves, attach technical importance to the FATAR keyboard and highly respect it for its construction qualities.
Binomial sensation / emotion and technical quality are no longer an illusion.
The commercial success achieved so far encourages us to offer broader options, by providing parts and accessories for musical instruments such as furniture, pedals, function keys, control buttons, music boxes and instruments.
Our initial passion and our commitment to this industrial adventure are currently combined with the research and implementation of new techniques, able to refine the interaction between the interpreter and the system.
Going beyond traditional construction techniques to innovate production models has always been the basis of FATAR's business strategy.
The Takamine Story
For more than half a century, Takamine has proudly dedicated itself to the art of fine guitar craftsmanship.
Its longstanding devotion to innovation and continual improvement has placed it among the world’s premier acoustic guitar makers, with truly fine instruments that are the first choice of performing guitarists worldwide.
With humble beginnings in 1959 as a small family-run guitar shop nestled at the foot of Mount Takamine in the central Japanese town of Sakashita, the fledgling company took the mountain’s name in 1962 and began in earnest the journey that led to the phenomenal success that is the modern Takamine company.
The timeline outlines that remarkable evolution.
Takamine Through The Years
The small family-run instrument workshop that would later become the Takamine company is founded in the town of Sakashita, at the foot of Mount Takamine in central Japan.
As guitar playing gains popularity in Japan, the small company is re-named as Takamine Gakki Ltd., after the mountain itself.
The company grows to 60 employees and becomes a leading builder of classical guitars and mandolins. Luthier Mass Hirade arrives at Takamine and introduces many effective design and manufacturing improvements. The company later adds Hirade’s name to many of its classical guitar models in honor of his contributions.
Hirade becomes Takamine’s president and launches efforts to bring the instruments to a much wider audience. Takamine guitars soon become available worldwide.
Development of the under-saddle Palathetic™ pickup revolutionizes amplified acoustic guitar design.
Takamine introduces its first acoustic-electric model, the PT-007S.
The first “Natural” series guitar is introduced.
Takamine marks its 25th anniversary with the introduction of its first Limited Edition guitar model, the EF25.
Introduction of the Takamine parametric EQ (TP preamp; later redesigned as the AAP preamp).
Innovative external battery box and replaceable preamp package systems are developed.
The Steve Wariner signature model is introduced.
Takamine pioneers the use of laser inlay work, resulting in remarkably intricate yet precise inlay designs.
The Garth Brooks signature model is introduced.
Fully automated precision neck machining developed. John Jorgensen signature models introduced.
Debut of the first onboard acoustic guitar tube preamp, the CTP-1 Cool Tube®, and the Tri-ax “add-on” acoustic guitar pickup.
Takamine opens a new headquarters and main factory in its longtime hometown, Sakashita, Japan. In the United States, Nashville’s Grand Ole Opry commissions Takamine to design its 80th anniversary commemorative guitar.
Takamine introduces its 45th Anniversary guitar.
The Kenny Chesney signature model is introduced.
The Glen Frey signature model is introduced.
Takamine celebrates its 50th anniversary.
Toby Keith Signature model introduced.
For decades, TASCAM has been the choice of musicians,
engineers and broadcast professionals around the world
combining industry loyalty with legendary reliability.
With solutions designed for an astonishing range of
audio and restoration applications for the best professionals today,
TASCAM continues to define the sound of modern recording.
TASCAM started in 1971 as a professional audio equipment sales company of TEAC Corporation under the name TEAC AUDIO SYSTEM COMPANY OF AMERICA. TASCAM has pioneered the world with advanced technology such as coil MTRs, VCRs, DTRS, digital mixers, and more.
Headquartered in El Cajon, California, Taylor Guitars was founded in 1974 by Bob Taylor and Kurt Listug, and has grown into the leading global builder of premium acoustic guitars. Taylor employs over 900 people and currently produces hundreds of guitars per day in its state-of-the-art factory complexes in both El Cajon and in Tecate, Baja California, Mexico. The company maintains an active dealer network, with Taylor guitars sold through hundreds of retail locations in North America and with international distribution to 60 countries, including a distribution warehouse and factory service center in the Netherlands.
Renowned for blending modern, innovative manufacturing techniques with a master craftsman's attention to detail, Taylor guitars are widely considered among the best-sounding and easiest to play in the world. The company was a pioneer in the use of computer mills, lasers and other high-tech tools and proprietary machinery, and today, Bob Taylor is widely recognized throughout the musical instrument industry as the visionary acoustic guitar manufacturer. Among the company’s many innovations are its patented Taylor Neck, the first major innovation in the construction of the acoustic guitar in the last 100 years; the award-winning Expression System® 2 (ES2) pickup, a groundbreaking approach to amplifying an acoustic guitar; and the T5, the first, true hybrid acoustic and electric guitar that can produce amplified acoustic tones, full-crunch electric, and everything in-between with the flip of a five-way switch.
In addition to its forward-thinking approach to guitar design and manufacturing, Taylor has applied that same approach to its wood sourcing and environmental sustainability initiatives. Taylor is dedicated to the pursuit of best practices in forest management, new models of reforestation, and bringing ethically harvested tonewoods to market. This approach, together with outstanding playability, flawless craftsmanship, and stunning aesthetics, are just a few of the reasons that many of today’s leading musicians make Taylor their guitar of choice. The company’s artist roster numbers in the thousands, and includes the likes of Taylor Swift, Jason Mraz, Zac Brown, and many other established musicians.
Created in 2001, TECHNYLIGHT is the brand "Light" of EUROPSONIC.
It offers a wide range of products for animation, ambiance, lighting and also offers effects machines, controllers, supports ...
EUROPSONIC a company with family capital established in France in the heart of Europe since 1976. Its main objective has always been to provide a clientele of professionals with quality articles, at the best prices while benefiting from the legal guarantees but also from a rigorous control of safety standards. Its 5000 m2 of stock allow it maximum availability of products.
Created in 2001, TECHNYSOUND is the "Audio" brand of EUROPSONIC. It offers a wide range of products for animation and installation.
EUROPSONIC a company with family capital established in France in the heart of Europe since 1976. Its main objective has always been to provide a clientele of professionals with quality articles, at the best prices while benefiting from the legal guarantees but also from a rigorous control of safety standards. Its 5000 m2 of stock allow it maximum availability of products.
Illustration of Technics1
The first Technics brand, the Technics 1 was a hermetic 2-way speaker system. Compact, it produced bases comparable to those of standard floor enclosures.
Illustration of Technics 10A
The 10A was the first stereo preamplifier of the Technics series. Composed of a two-stage NC circuit amplification section, the amplifier reduced distortion and provided a large dynamic range.
Illustration of Technics 20A
The Technics 20A was the first power amplifier of the Technics brand. This high power amplifier used twenty pentodes 50HB26 and OTL circuits, which was exceptional for the time.
Technics 30A illustration
More advanced than the 10A model, the Technics 30A achieved unprecedented low distortion and improved signal-to-noise ratio using a unique PES method. The design of its RIAA circuits was both new and innovative.
Illustration of Technics 50A
The Technics 50A was a solid-state integrated amplifier from Technics tube amplifier development technology. Its new OCL method will later be widely adopted for solid-state amplifiers of many companies.
Illustration of SP-10
The SP-10 was the first direct-drive stage in the world and opened a new era in the audio world. It eliminated vibrations and rotational irregularities caused by the previous belt drive system. Although conceived as a great forgetful product, she has equipped radio stations. It has also strongly influenced other audio equipment.
The SL-1200 was the first in a series of direct-drive stages renowned for its rotational stability. The series has continued to be produced for almost 40 years and has become a staple of DJ culture.
The SU-10000 marked the pinnacle of preamplifiers. With the development of three-stage amplification in the equalizer section, the SU-10000 was one of the monuments of high-end amplifier elements in Japan.
The SE-10000 was the first power amplifier in the world to use a high-capacity constant-voltage power supply. Its meters made it possible to directly and precisely record the peak values and became a standard.
The first 3-way library system in Japan to use a dome unit, it was popular for its excellent price / performance ratio.
Illustration of Technics 7 (SB-7000)
Technics 7 (SB-7000)
This loudspeaker system has demonstrated the validity of Technics' unique linear phase theory. He subsequently influenced many speakers around the world.
Illustration of SE-A1
The SE-A1 was an extraordinary power amplifier. Each channel had four power supplies, a total of eight power supplies in a separate left and right structure. The capacitors of the feedback circuits had even disappeared from this fully Class A + DC amplifier. The output was 350 + 350 W.
The SU-A2 was a class A preamplifier at all levels. The circuits were entirely at CC. With a 95 dB (2.5 mV) signal-to-noise ratio for the phono input and equipped with a UFE *, this high-quality multifunctional sound amplifier allowed for all possible settings.
* UFE: Universal Frequency EQ.
The SB-10000 was the pinnacle of the linear phase bass-reflex 3-way speaker system using horn type units for medium and high frequency ranges. During the development of this system, many advanced technologies were introduced for the first time in Japan and around the world.
Illustration of SL-10
The SL-10 was a fully automatic turntable with Technics platinum technology the size of a pocket of 33 turns (31.5 cm). This platinum design very appreciated was acquired by the Museum of Modern Art in New York.
Illustration of SL-P10
The SL-P10 was Technics' first CD player. The dedicated circuits were almost entirely composed of integrated circuits and LSI of new design. A DD engine provided direct training.
The SB-RX50 was a loudspeaker system with units in a completely new flat coaxial structure. It allowed for excellent image-sound localization and flat frequency response using separate displays and other forms of vibration analysis.
The SB-AFP1000 was an exceptional flat-panel loudspeaker that used dual cabinets that operated according to a unique acoustic theory. This chamber which allowed a sound reproduction of great fidelity was used by the Vienna State Opera.
Illustration of SST-1
The SST-1 was a double-loading horn-type speaker system with reproducing capability with higher efficiency and less distortion. This system is part of the permanent collection of the Museum of Modern Art in New York.
Illustration of SL-Z1000
The SL-Z1000 was Technics' first standalone CD player. To reproduce the sound very accurately, he used a fully vibration-free structure.
The SH-X1000 was a 1-bit NA MASH conversion digital processor in a three-chip configuration. The processor reproduced the minute signals superimposed on signals of lower or higher level without distortion.
Illustration of SB-M10000
The SB-M10000 was a ground-based speaker system based on the Keltonet method and a unique silence technology. It offered a very faithful sound field with a deep bass reproduction while reducing the vibrations of the speaker.
Illustration of SE-A7000
The SE-A7000 was a new design MOS Class A power amplifier, using MOS FET inputs for the amplification elements of the voltage-controlled amplifier and able to faithfully regulate the signal with excellent response in the high frequencies.
The SU-C7000 was a preamplifier that used a battery-powered power supply. The elimination of the magnetic flux leakage by the total separation of the AC power supply and the signaling circuits had made it possible to improve the quality of the sound and to completely purify its physical characteristics.
The story of Warwick and Framus began on 1st January 1946 when the "Fränkische Musikinstrumentenerzeugung Fred Wilfer KG" was founded in Erlangen/Bavaria.
FRAMUS was one of the most important manufacturers of electric guitars in Europe between 1946 and the end of the 1970s. The company was created by Fred Wilfer, the father of Hans-Peter Wilfer, who would create Warwick some years later...
Fred Wilfer was born in Schönbach in 1917. In 1945, when he heard about the expulsion plans of the allied forces, which were going to affect his homeland in south Germany as well, he decided to build up a new basis for his countryman and the music industry in the west.
The Bavarian government welcomed his plans and asked him to create all conditions needed for the settlement to Bavaria. The US military government in Bavaria gave him the permission in 1946 to found his company. Thus the "Franconian Music Production Fred Wilfer Investment Trust" was founded on January 1st, 1946, in Erlangen, which became the central location of instrument makers, who were displaced from Schönbach.
A factory was set up in a former barracks camp in Moehrendorf in autumn 1946. At the end of 1948 the factory was moved to the near town Baiersdorf. However, Framus soon out-grew that space. Since the end of 1949 Bubenreuth became the center settlement of Schoenbach violin makers.
Fred Wilfer built up one of the most modern factories of this time. In the summer of 1954 Framus moved into the new factory. About 170 employees started to work, having 2200 square meters at their disposal to produce more than 2000 instruments per month.
But the sky above the Schoenbach violin makers was soon not that full of violins anymore. The guitar and especially its electronic sister became the new bestsellers. The numbers increased enormously due to the Beatles Boom at the end of the 1950s. Because of this development a second factory had to be built in Pretzfeld, 25 km north of Bubenreuth in the Franconian Switzerland, in 1966. It was at that time that Framus became the biggest guitar manufacturer in Europe employing about 300 workers in the late 1960s.
One of the most interesting chapters of the firm history is the relationship between Framus to its stars. The oldest and longest relation between Framus and an outstanding guitar artist is the one with Billy Lorento (alias Bill Lawrence) which was established in 1953. A very fruitful cooperation emerged soon afterwards with Attila Zoller, perhaps the most famous Jazz guitar player in those days. For the idol of German Rock'n'Roll music, Peter Kraus, a new 4-string-guitar, especially for pop songs, was constructed by Framus in 1957 - the "Peter-Kraus-pop-song-guitar". Besides Framus collaborated with John Lennon and Bill Wyman, bassist of the Rolling Stones who signed a 3-year endorsement contract.
After the company's bankruptcy at the end of the 1970s, Framus was vanished into thin air. But Hans-Peter Wilfer, who spent his childhood in the company of his father, soon founded his own company. When he was 24 years old he founded Warwick on 13th September 1982 in Pretzfeld/Bavaria.
The company has grown continuously and so they moved the production to Markneukirchen in Saxony - where they also revived FRAMUS.
As a result, Warwick can count on a level of skill and craftsmanship from its workforce that few other firms can match. The construction of the new plant provided an opportunity to install state-of-the-art manufacturing equipment, giving Warwick a technological edge to go along with its well-deserved reputation for fine hand craftsmanship. Today Warwick produces a staggering array of instruments with a quality level and consistency that is matched by few instrument makers worldwide.
Starting with three model ranges in the first years, Warwick offers now several product lines with more than forty different bass guitars and a huge offering of bass amplifiers, Speaker Cabs and accessories. And they added the production of the high-quality Framus guitars as well.
This success is based on the more than 50 years lasting tradition of instrument making in the Wilfer family, and also on one secret of the company Framus & Warwick: Satisfy the growing needs of the modern musicians with the diligence, endurance, and perfection of all employees.
In the future Framus & Warwick will dedicate itself and every product leaving the company to this commitment as well. Furthermore the company will advocate for consistent innovation and further developments in instrument making.
Environmental protection and environmental acting conscious acting is most important for the company. Since December 2012, Framus &Warwick is the first carbon-neutral company in the music industry. So the company sets standards worldwide.
With roots going back before the Civil War, Washburn began as a partnership between George Washburn Lyon and Patrick Healy. Formed in Chicago, Illinois, Washburn has been building stringed instruments since 1883. An American institution, Washburn has built guitars, mandolins, banjos, ukuleles, and more throughout the years. Many of the biggest names in folk, rock, and blues have played Washburn and some of the most significant trendsetting music has been played on a Washburn. From early blues, to the inspiration behind the MTV Unplugged revival, to the modern day, Washburn has been a choice amongst the songsmiths of the day.
130 years of history is at the root of our strong foundation building high quality instruments. It is this background that inspires us to create instruments for you and we hope you experience the exceptional value, playability and voice that is Washburn. On this Website, we encourage you to explore the Washburn line of fine instruments. We are sure you can find a musical partner in a Washburn, be it the historically significant Lakeside and DeLuxe, the quintessential acoustic-electric Festival, the luthier inspired Comfort, or our extensive variety of Americana models
Though our roots are firmly planted through providing some of history's most well known, best valued and best selling acoustic and Americana instruments, your dreams have remained an important part of fulfilling our mission- to provide you with the perfect tool to achieve them. From the first Washburn electric built in 1976, everyone from beginners taking their first step into the bright stage lights to seasoned professionals commanding the attention of thousands of screaming fans have found a home here at Washburn. From rock, metal, country, bluegrass and jazz, there is a Washburn electric guitar that will fit you and your style perfectly and grow with you as you develop your style and technique.
We have a legacy of famous and talented artists who have helped shape the soundscape of today's modern music, from Nancy Wilson and Howard Leese with Heart, to the rise of hard rock's and metal's glory years with Rudy Sarzo and Nuno Bettencourt- who is celebrating 25 years with us; through the grunge years where icons like Dimebag Darrel kept guitar solos alive until passing the torch to Ola Englund and Marzi Montazeri. The list goes on and is growing everyday. Whether you strive to join that list, or are happy to push your "likes" on YouTube, or just want to have some fun with family and friends in the basement or backyard- we have the perfect fit for you no matter your taste or skill level.
As the Yamaha Organ Manufacturing, it was founded in 1887 by Torakusu Yamaha in Hamamatsu in Shizuoka Prefecture. Torakusu Yamaha, a clockmaker and mechanic, had been a great success by repairing the harmonium of one of the city's schools. The company manufactures 250 instruments that year. In 1897 it was renamed Nippon Gakki Co., Ltd. (Nippon Gakki Seïzo Kabushiki Kwaïsha) with the aim of embarking on the manufacture of other instruments.
In 1900, Yamaha returned from the United States after a year spent learning the profession of piano maker. The company then sells its first straight pianos, and two years later grand pianos. Strengthened by this success, it continues to diversify by making other instruments: harmonicas, xylophones, etc. Torakusu Yamaha, died in Tokyo on August 8, 1916, at the age of 65 years.
In 1930, the Nippon Gakki created its own acoustic laboratory. During the Second World War, the company was forced to manufacture aircraft propellers and from 1944 to 1947 it would no longer produce any instrument. After the war, economic growth is important, the company is working on various products enabling it to diversify (sewing machine, automobile, etc.).
In 1955, Nippon Gakki Yamaha was renamed in honor of its founder and launches its first motorcycle, the YA-1.
In October 1987 Yamaha bought out the British drum and percussion manufacturer Premier Percussion Limited, and resold it in February 1995.
Yamaha bought Korg in 1989, which in 1993 became a completely independent company by buying Yamaha shares.
Yamaha bought Steinberg in 2004 and also bought Motobécane-Motoconfort.
In 2001, when the Yamaha Motor Corporation was founded, motorcycle and engine activity separated. This split is done by exchange of shares with Toyota.
The logo of the brand, which represents the three forks crossed recalls the beginnings of the company that today is one of the two largest piano manufacturers in the world, about 130 000 units per year
"Zil" means "cymbal" in Turkish and "-dji" combined with "-ian" form a perfect family name for an Armenian cymbal manufacturer family during the Ottoman Empire. It was at the beginning of the 17th century that the alchemist Avedis discovered a special alloy of metals that produced a sound adapted to the army, religious houses and festivals, while allowing to make very good music. The Ottoman sultan gave Avedis the name "Zildjian" as well as 80 gold coins. Thus, Zildjian, the cymbal manufacturing company has its origins in Constantinople in the year 1623.
A few hundred years passed before the family business moved to Massachusetts crossing the Atlantic Ocean, where the name Zildjian has since enjoyed great success. The company now has over 65% of the cymbal market. We immediately recognize the company's distinct logo on cymbals and other percussion equipment, instruments visible from local auditoriums to the biggest rock concerts.
After fifteen generations, the Zildjian family is still in charge of the company, which is now headed by the first female CEO since 1999. It is one of the oldest businesses in the world as well as one of the most old family businesses in the world, and certainly the same in America. Zildjian society always keeps secret the formula of the alloy which for the first time did not leave indifferent neither the royalty, nor the people about four hundred years ago.
Source and attribution: By Kim2480 (Personal work) [CC-BY-SA-3.0], via Wikimedia Commons
Zoom produces a wide array of recording devices, including a line of portable “handy” recorders as well as multi-effects processors, effects pedals, drum machines and samplers. Over the past thirty years, the company has established a solid reputation as a manufacturer of innovative yet affordable products which are based on original microchip designs.
Founded in 1983 and based in Tokyo, Japan, the Zoom Corporation spent its first years helping other manufacturers develop sound generator LSI, rhythm machines and MIDI synchronizer systems.
In 1990, the first Zoom product was unveiled: the 9002, an ultra-compact multi-effects processor designed to be attached to a guitar strap. It was a huge success.
This was followed by the rack-mountable 9010, which featured the world's first 4-In/4-Out individual signal processing. In 1992, the high-end 9200 came to market and soon became a fixture in studios everywhere.
The popular Zoom Player series of guitar effects was launched in 1994, along with the Zoom Studio series, which continue to be found in the racks of many musicians today.
The following year, the Zoom 500 series of footpedals was introduced, including the 506 bass pedal and the extraordinarily popular 505 guitar pedal, the best-selling multi-effects pedal ever.
But it was in 2006 that Zoom totally redefined the state of the art in audio for video with the release of the revolutionary H4 Handy Recorder. Small enough to be held in the palm of your hand, the battery-powered H4 offered an onboard X/Y stereo microphone, the ability to record up to four tracks of 96/24 audio directly to SD card in either WAV or MP3 format, built-in effects including a guitar tuner and metronome, and a USB port that allowed the H4 to be connected to a computer. A smaller Handy Recorder, the H2, was released in 2007, followed by the H4n in 2009. All became standards of the industry.
In 2013, the third-generation H6 Handy Recorder was announced—a six-track recorder which offers a slew of advanced features, including a system of interchangeable microphone capsules which can be swapped out as easily as the lens of a camera.
Under the steady hand of CEO Masahiro Iijima, Zoom is dedicated to continually developing new products that allow artists to more freely express their ideas yet are accessible to anyone, from amateur to professional. The company's staff represents a fusion of engineering expertise and artistic sensibilities; they know it’s not just a matter of having advanced technological skills but also the sense and desire to employ them creatively and imaginatively. In the summer of 2013, Zoom North America was formed. The first product to be distributed by ZNA is the groundbreaking H6 Handy Recorder.